I Never
Saw Anything Like What Appears Here, Except In The Chamber Of
Rarities At Munich In Bavaria.
Passing these, you come into several large rooms, as if contrived
for the reception of the beautiful guests that take them up; one of
these is near seventy feet long, and the ceiling twenty-six feet
high, with another adjoining of the same height and breadth, but
not so long.
Those together might be called the Great Gallery of
Wilton, and might vie for paintings with the Gallery of Luxembourg,
in the Faubourg of Paris.
These two rooms are filled with the family pieces of the house of
Herbert, most of them by Lilly or Vandyke; and one in particular
outdoes all that I ever met with, either at home or abroad; it is
done, as was the mode of painting at that time, after the manner of
a family piece of King Charles I., with his queen and children,
which before the burning of Whitehall I remember to hang at the
east end of the Long Gallery in the palace.
This piece fills the farther end of the great room which I just now
mentioned; it contains the Earl of Montgomery, ancestor of the
house of Herbert (not then Earls of Pembroke) and his lady,
sitting, and as big as life; there are about them their own five
sons and one daughter, and their daughter-in-law, who was daughter
of the Duke of Buckingham, married to the elder Lord Herbert, their
eldest son.
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