As His Lordship Is A Great Collector Of Fine Paintings, So I Know
No Nobleman's House In England So Prepared,
As if built on purpose,
to receive them; the largest and the finest pieces that can be
imagined extant in
The world might have found a place here capable
to receive them. I say, they "might have found," as if they could
not now, which is in part true; for at present the whole house is
so completely filled that I see no room for any new piece to crowd
in without displacing some other fine piece that hung there before.
As for the value of the piece that might so offer to succeed the
displaced, that the great judge of the whole collection, the earl
himself, must determine; and as his judgment is perfectly good, the
best picture would be sure to possess the place. In a word, here
is without doubt the best, if not the greatest, collection of
rarities and paintings that are to be seen together in any one
nobleman's or gentleman's house in England. The piece of our
Saviour washing His disciples' feet, which they show you in one of
the first rooms you go into, must be spoken of by everybody that
has any knowledge of painting, and is an admirable piece indeed.
You ascend the great staircase at the upper end of the hall, which
is very large; at the foot of the staircase you have a Bacchus as
large as life, done in fine Peloponnesian marble, carrying a young
Bacchus on his arm, the young one eating grapes, and letting you
see by his countenance that he is pleased with the taste of them.
Nothing can be done finer, or more lively represent the thing
intended--namely, the gust of the appetite, which if it be not a
passion, it is an affection which is as much seen in the
countenance, perhaps more than any other. One ought to stop every
two steps of this staircase, as we go up, to contemplate the vast
variety of pictures that cover the walls, and of some of the best
masters in Europe; and yet this is but an introduction to what is
beyond them.
When you are entered the apartments, such variety seizes you every
way that you scarce know to which hand to turn yourself. First on
one side you see several rooms filled with paintings as before, all
so curious, and the variety such, that it is with reluctance that
you can turn from them; while looking another way you are called
off by a vast collection of busts and pieces of the greatest
antiquity of the kind, both Greek and Romans; among these there is
one of the Roman emperor Marcus Aurelius in basso-relievo. I never
saw anything like what appears here, except in the chamber of
rarities at Munich in Bavaria.
Passing these, you come into several large rooms, as if contrived
for the reception of the beautiful guests that take them up; one of
these is near seventy feet long, and the ceiling twenty-six feet
high, with another adjoining of the same height and breadth, but
not so long.
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