They Derived
Their Name Of Mysteries From Being Generally Founded On The More
Mysterious Parts Of Holy Writ, For Example The Incarnation, The
Atonement, And The Resurrection.
The Moralities displayed
something more of art and invention than the Mysteries; in them
virtues, vices and qualities were personified, and something like a
plot was frequently to be discovered.
They were termed Moralities
because each had its moral, which was spoken at the end of the
piece by a person called the Doctor. (7) Much that has been said
about the moralities holds good with respect to the interludes.
Indeed, for some time dramatic pieces were called moralities and
interludes indifferently. In both there is a mixture of allegory
and reality. The latter interludes, however, display more of
every-day life than was ever observable in the moralities; and more
closely approximate to modern plays. Several writers of genius
have written interludes, amongst whom are the English Skelton and
the Scottish Lindsay, the latter of whom wrote eight pieces of that
kind, the most celebrated of which is called "The Puir Man and the
Pardoner." Both of these writers flourished about the same period,
and made use of the interlude as a means of satirizing the vices of
the popish clergy. In the time of Charles the First the interlude
went much out of fashion in England; in fact, the play or regular
drama had superseded it. In Wales, however, it continued to the
beginning of the present century, when it yielded to the influence
of Methodism.
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