Wild Wales: Its People, Language And Scenery By George Borrow





































































 -   Had Ab Gwilym been so dead to every feeling of 
gratitude and honour as to play the part which the - Page 349
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Had Ab Gwilym Been So Dead To Every Feeling Of Gratitude And Honour As To Play The Part Which The

Story makes him play, he would have deserved not only to be emasculated, but to be scourged with harp-strings

In every market-town in Wales, and to be dismissed from the service of the Muse. But the writer repeats that he does not believe one tittle of the story, though Ab Gwilym's biographer, the learned and celebrated William Owen, not only seems to believe it, but rather chuckles over it. It is the opinion of the writer that the story is of Italian origin, and that it formed part of one of the many rascally novels brought over to England after the marriage of Lionel, Duke of Clarence, the third son of Edward the Third, with Violante, daughter of Galeazzo, Duke of Milan.

Dafydd Ab Gwilym has been in general considered as a songster who never employed his muse on any subject save that of love, and there can be no doubt that by far the greater number of his pieces are devoted more or less to the subject of love. But to consider him merely in the light of an amatory poet would be wrong. He has written poems of wonderful power on almost every conceivable subject. Ab Gwilym has been styled the Welsh Ovid, and with great justice, but not merely because like the Roman he wrote admirably on love. The Roman was not merely an amatory poet: let the shade of Pythagoras say whether the poet who embodied in immortal verse the oldest, the most wonderful, and at the same time the most humane, of all philosophy was a mere amatory poet. Let the shade of blind Homer be called up to say whether the bard who composed the tremendous line -

"Surgit ad hos clypei dominus septemplicis Ajax" -

equal to any save ONE of his own, was a mere amatory songster. Yet, diversified as the genius of the Roman was, there is no species of poetry in which he shone in which the Welshman may not be said to display equal merit. Ab Gwilym, then, has been fairly styled the Welsh Ovid. But he was something more - and here let there be no sneers about Welsh: the Welsh are equal in genius, intellect and learning to any people under the sun, and speak a language older than Greek, and which is one of the immediate parents of the Greek. He was something more than the Welsh Ovid: he was the Welsh Horace, and wrote light, agreeable, sportive pieces, equal to any things of the kind composed by Horace in his best moods. But he was something more: he was the Welsh Martial, and wrote pieces equal in pungency to those of the great Roman epigrammatist, - perhaps more than equal, for we never heard that any of Martial's epigrams killed anybody, whereas Ab Gwilym's piece of vituperation on Rhys Meigan - pity that poets should be so virulent - caused the Welshman to fall down dead.

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