The Path to Rome By Hilaire Belloc


































































 -  Are you sleeping or drinking that
you will not lend us the staff of Friar John wherewith he slaughtered
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Are You Sleeping Or Drinking That You Will Not Lend Us The Staff Of Friar John Wherewith He Slaughtered And Bashed The Invaders Of The Vineyards, Who Are But A Parable For The Mincing Pedants And Bloodless Thin-Faced Rogues Of The World?

Write as the wind blows and command all words like an army!

See them how they stand in rank ready for assault, the jolly, swaggering fellows!

First come the Neologisms, that are afraid of no man; fresh, young, hearty, and for the most part very long-limbed, though some few short and strong. There also are the Misprints to confuse the enemy at his onrush. Then see upon the flank a company of picked Ambiguities covering what shall be a feint by the squadron of Anachronisms led by old Anachronos himself; a terrible chap with nigglers and a great murderer of fools.

But here see more deeply massed the ten thousand Egotisms shining in their armour and roaring for battle. They care for no one. They stormed Convention yesterday and looted the cellar of Good-Manners, who died of fear without a wound; so they drank his wine and are to-day as strong as lions and as careless (saving only their Captain, Monologue, who is lantern-jawed).

Here are the Aposiopaesian Auxiliaries, and Dithyramb that killed Punctuation in open fight; Parenthesis the giant and champion of the host, and Anacoluthon that never learned to read or write but is very handy with his sword; and Metathesis and Hendiadys, two Greeks. And last come the noble Gallicisms prancing about on their light horses: cavalry so sudden that the enemy sicken at the mere sight of them and are overcome without a blow. Come then my hearties, my lads, my indefatigable repetitions, seize you each his own trumpet that hangs at his side and blow the charge; we shall soon drive them all before us headlong, howling down together to the Picrocholian Sea.

So! That was an interlude. Forget the clamour.

But there is another matter; written as yet in no other Preface: peculiar to this book. For without rhyme or reason, pictures of an uncertain kind stand in the pages of the chronicle. Why?

_Because it has become so cheap to photograph on zinc._

In old time a man that drew ill drew not at all. He did well. Then either there were no pictures in his book, or (if there were any) they were done by some other man that loved him not a groat and would not have walked half a mile to see him hanged. But now it is so easy for a man to scratch down what he sees and put it in his book that any fool may do it and be none the worse - many others shall follow. This is the first.

Before you blame too much, consider the alternative. Shall a man march through Europe dragging an artist on a cord? God forbid!

Shall an artist write a book? Why no, the remedy is worse than the disease.

Let us agree then, that, if he will, any pilgrim may for the future draw (if he likes) that most difficult subject, snow hills beyond a grove of trees; that he may draw whatever he comes across in order to enliven his mind (for who saw it if not he? And was it not his loneliness that enabled him to see it?), and that he may draw what he never saw, with as much freedom as you readers so very continually see what you never draw. He may draw the morning mist on the Grimsel, six months afterwards; when he has forgotten what it was like: and he may frame it for a masterpiece to make the good draughtsman rage.

The world has grown a boy again this long time past, and they are building hotels (I hear) in the place where Acedes discovered the Water of Youth in a hollow of the hill Epistemonoscoptes.

Then let us love one another and laugh. Time passes, and we shall soon laugh no longer - and meanwhile common living is a burden, and earnest men are at siege upon us all around. Let us suffer absurdities, for that is only to suffer one another.

Nor let us be too hard upon the just but anxious fellow that sat down dutifully to paint the soul of Switzerland upon a fan.

When that first Proverb-Maker who has imposed upon all peoples by his epigrams and his fallacious half-truths, his empiricism and his wanton appeals to popular ignorance, I say when this man (for I take it he was a man, and a wicked one) was passing through France he launched among the French one of his pestiferous phrases, _'Ce n'est que le premier pas qui coute'_ and this in a rolling-in-the-mouth self-satisfied kind of a manner has been repeated since his day at least seventeen million three hundred and sixty-two thousand five hundred and four times by a great mass of Ushers, Parents, Company Officers, Elder Brothers, Parish Priests, and authorities in general whose office it may be and whose pleasure it certainly is to jog up and disturb that native slumber and inertia of the mind which is the true breeding soil of Revelation.

For when boys or soldiers or poets, or any other blossoms and prides of nature, are for lying steady in the shade and letting the Mind commune with its Immortal Comrades, up comes Authority busking about and eager as though it were a duty to force the said Mind to burrow and sweat in the matter of this very perishable world, its temporary habitation.

'Up,' says Authority, 'and let me see that Mind of yours doing something practical. Let me see Him mixing painfully with circumstance, and botching up some Imperfection or other that shall at least be a Reality and not a silly Fantasy.'

Then the poor Mind comes back to Prison again, and the boy takes his horrible Homer in the real Greek (not Church's book, alas!); the Poet his rough hairy paper, his headache, and his cross-nibbed pen; the Soldier abandons his inner picture of swaggering about in ordinary clothes, and sees the dusty road and feels the hard places in his boot, and shakes down again to the steady pressure of his pack; and Authority is satisfied, knowing that he will get a smattering from the Boy, a rubbishy verse from the Poet, and from the Soldier a long and thirsty march.

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