The Travels Of Marco Polo - Volume 2 Of 2 By Marco Polo And Rustichello Of Pisa











































 -  From a photograph by Count de SEMALLE.

BRIDGE of LU-KU-K'IAO. From a photograph by Count de SEMALLE.

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From A Photograph By Count De SEMALLE.

BRIDGE of LU-KU-K'IAO.

From a photograph by Count de SEMALLE.

The ROI D'OR. Professed Portrait of the Last of the Altun Khans or Kin Emperors of Cathay, from the (fragmentary) Arabic Manuscript of Rashiduddin's History in the Library of the Royal Asiatic Society. This Manuscript is supposed to have been transcribed under the eye of Rashiduddin, and the drawings were probably derived from Chinese originals.

Plan of Ki-chau, after Duhalde.

The CROSS incised at the head of the GREAT CHRISTIAN INSCRIPTION of SI-NGAN FU (A.D. 781); actual size, from copy of a pencil rubbing made on the original by the Rev. J. Lees. Received from Mr. A. Wylie.

Diagram to elucidate the cities of Ch'eng-tu fu.

Plan of Ch'eng-tu. From MARCEL MONNIER'S Tour d'Asie, by kind permission of M. PLON.

Bridge near Kwan-hsien (Ch'eng-tu). From MARCEL MONNIER'S Tour d'Asie, by kind permission of M. PLON.

MOUNTAINEERS on the Borders of SZE-CH'WAN and TIBET, from one of the illustrations to Lieut. Garnier's Narrative (see p. 48). From Tour du Monde.

VILLAGE of EASTERN TIBET on Sze-ch'wan Frontier. From Mr. Cooper's Travels of a Pioneer of Commerce.

Example of ROADS on the TIBETAN FRONTIER of China (being actually a view of the Gorge of the Lan t'sang Kiang). From Mr. Cooper's Travels of a Pioneer of Commerce.

The VALLEY of the KIN-SHA KIANG, near the lower end of the CAINDU of Marco Polo. From Lieut. Garnier in the Tour du Monde.

SALT PANS in Yun-nan. From the same.

Black Lolo.

White Lolo. From DEVERIA'S Frontiere Sino-annamite.

Pa-y Script. From the T'oung-Pao.

Garden-House on the LAKE of YUN-NAN-FU, YACHI of Polo. From Lieut. Garnier in the Tour du Monde.

Road descending from the Table-Land of YUN-NAN into the VALLEY of the KIN-SHA KIANG (the BRIUS of Polo). From the same.

"A SARACEN of CARAJAN," being the portrait of a Mahomedan Mullah in Western Yun-nan. From the same.

The Canal at YUN-NAN FU. From a photograph by M. TANNANT.

"Riding long like FRENCHMEN," exemplified from the Bayeux Tapestry. After Lacroix, Vie Militaire du Moyen Age.

The SANG-MIAU tribe of KWEI-CHAU, with the Cross-bow. From a coloured drawing in a Chinese work on the Aboriginal Tribes, belonging to W. Lockhart, Esq.

Portraits of a KAKHYEN man and woman. Drawn by Q. CENNI from a photograph (anonymous).

Temple called GAUDAPALEN in the city of MIEN (i.e. Pagan in Burma), erected circa A.D. 1160. Engraving after a sketch by the first Editor, from Fergusson's History of Architecture.

The PALACE of the KING of MIEN in modern times (viz., the Palace at Amarapura). From the same, being partly from a sketch by the first Editor.

Script Pa-pe. From the T'oung-Pao.

HO-NHI and other Tribes in the Department of Lin-ngan in S. Yun-nan, supposed to be the Anin country of Marco Polo.

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