In a later paper Mr. Curzon thus recurs to the subject:[22]
"Though none of the early block-books have dates affixed to them, many
of them are with reason supposed to be more ancient than any books
printed with moveable types. Their resemblance to Chinese block-books is
so exact, that they would almost seem to be copied from the books
commonly used in China. The impressions are taken off on one side of
the paper only, and in binding, both the Chinese, and ancient German, or
Dutch block-books, the blank sides of the pages are placed opposite each
other, and sometimes pasted together.... The impressions are not taken
off with printer's ink, but with a brown paint or colour, of a much
thinner description, more in the nature of Indian ink, as we call it,
which is used in printing Chinese books. Altogether the German and
Oriental block-books are so precisely alike, in almost every respect,
that ... we must suppose that the process of printing then must have
been copied from ancient Chinese specimens, brought from that country by
some early travellers, whose names have not been handed down to our
times."
The writer then refers to the tradition about Guttemberg (so it is
stated on this occasion, not Faust) having learned Castaldi's art, etc.,
mentioning a circumstance which he supposes to indicate that Guttemberg
had relations with Venice; and appears to assent to the probability of the
story of the art having been founded on specimens brought home by Marco
Polo.
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