The Great Wall Is Never
Mentioned, Though We Have Shown Reason For Believing That It Was In His
Mind When
One passage of his book was dictated.[10] The use of Tea, though
he travelled through the Tea districts of
Fo-kien, is never mentioned;[11]
the compressed feet of the women and the employment of the fishing
cormorant (both mentioned by Friar Odoric, the contemporary of his later
years), artificial egg-hatching, printing of books (though the notice of
this art seems positively challenged in his account of paper-money),
besides a score of remarkable arts and customs which one would have
expected to recur to his memory, are never alluded to. Neither does he
speak of the great characteristic of the Chinese writing. It is difficult
to account for these omissions, especially considering the comparative
fulness with which he treats the manners of the Tartars and of the
Southern Hindoos; but the impression remains that his associations in
China were chiefly with foreigners. Wherever the place he speaks of had a
Tartar or Persian name he uses that rather than the Chinese one. Thus
Cathay, Cambaluc, Pulisanghin, Tangut, Chagannor, Saianfu, Kenjanfu,
Tenduc, Acbalec, Carajan, Zardandan, Zayton, Kemenfu, Brius, Caramoran,
Chorcha, Juju, are all Mongol, Turki, or Persian forms, though all have
Chinese equivalents.[12]
In reference to the then recent history of Asia, Marco is often
inaccurate, e.g. in his account of the death of Chinghiz, in the list of
his successors, and in his statement of the relation ship between notable
members of that House.[13] But the most perplexing knot in the whole book
lies in the interesting account which he gives of the Siege of Sayanfu or
Siang-yang, during the subjugation of Southern China by Kublai.
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