Sanudo says
that in going into action every vessel should make the greatest possible
display of colours; gonfalons and broad banners should float from stem to
stern, and gay pennons all along the bulwarks; whilst it was impossible to
have too much of noisy music, of pipes, trumpets, kettle-drums, and what
not, to put heart into the crew and strike fear into the enemy.[24]
So Joinville, in a glorious passage, describes the galley of his kinsman,
the Count of Jaffa, at the landing of St. Lewis in Egypt: -
"That galley made the most gallant figure of them all, for it was
painted all over, above water and below, with scutcheons of the count's
arms, the field of which was or with a cross patee gules.[25] He had
a good 300 rowers in his galley, and every man of them had a target
blazoned with his arms in beaten gold. And, as they came on, the galley
looked to be some flying creature, with such spirit did the rowers spin
it along; - or rather, with the rustle of its flags, and the roar of its
nacaires and drums and Saracen horns, you might have taken it for a
rushing bolt of heaven."[26]
The galleys, which were very low in the water,[27] could not keep the sea
in rough weather, and in winter they never willingly kept the sea at
night, however fair the weather might be.