The Travels Of Marco Polo - Volume 1 Of 2 By Marco Polo And Rustichello Of Pisa










































 -  I may add that the French
editions published in the middle of the 16th century are translations
from Grynaeus. Hence - Page 157
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I May Add That The French Editions Published In The Middle Of The 16th Century Are Translations From Grynaeus.

Hence they complete this curious and vicious circle of translation:

French - Italian - Pipino's Latin - Portuguese? - Grynaeus's Latin - French![12]

[Sidenote: Fourth; Ramusio's Italian.]

60. IV. We now come to a Type of Text which deviates largely from any of those hitherto spoken of, and the history and true character of which are involved in a cloud of difficulty. We mean that Italian version prepared for the press by G. B. Ramusio, with most interesting, though, as we have seen, not always accurate preliminary dissertations, and published at Venice two years after his death, in the second volume of the Navigationi e Viaggi.[13]

The peculiarities of this version are very remarkable. Ramusio seems to imply that he used as one basis at least the Latin of Pipino; and many circumstances, such as the division into Books, the absence of the terminal historical chapters and of those about the Magi, and the form of many proper names, confirm this. But also many additional circumstances and anecdotes are introduced, many of the names assume a new shape, and the whole style is more copious and literary in character than in any other form of the work.

Whilst some of the changes or interpolations seem to carry us further from the truth, others contain facts of Asiatic nature or history, as well as of Polo's own experiences, which it is extremely difficult to ascribe to any hand but the Traveller's own. This was the view taken by Baldelli, Klaproth, and Neumann;[14] but Hugh Murray, Lazari, and Bartoli regard the changes as interpolations by another hand; and Lazari is rash enough to ascribe the whole to a rifacimento of Ramusio's own age, asserting it to contain interpolations not merely from Polo's own contemporary Hayton, but also from travellers of later centuries, such as Conti, Barbosa, and Pigafetta. The grounds for these last assertions have not been cited, nor can I trace them. But I admit to a certain extent indications of modern tampering with the text, especially in cases where proper names seem to have been identified and more modern forms substituted. In days, however, where an Editor's duties were ill understood, this was natural.

[Sidenote: Injudicious tamperings in Ramusio.]

61. Thus we find substituted for the Bastra (or Bascra) of the older texts the more modern and incorrect Balsora, dear to memories of the Arabian Nights; among the provinces of Persia we have Spaan (Ispahan) where older texts read Istanit; for Cormos we have Ormus; for Herminia and Laias, Armenia and Giazza; Coulam for the older Coilum; Socotera for Scotra. With these changes may be classed the chapter-headings, which are undisguisedly modern, and probably Ramusio's own. In some other cases this editorial spirit has been over-meddlesome and has gone astray. Thus Malabar is substituted wrongly for Maabar in one place, and by a grosser error for Dalivar in another. The age of young Marco, at the time of his father's first return to Venice, has been arbitrarily altered from 15 to 19, in order to correspond with a date which is itself erroneous.

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