Borrowed from Fergusson's History of
Architecture.
KASHMIR SCARF with animals, etc. After photograph from the scarf in the
Indian Museum.
Humped Oxen from the Assyrian Sculptures at Kouyunjik. From Rawlinson's
Ancient Monarchies.
Portrait of a Hazara. From a Photograph, kindly taken for the purpose, by
M.-Gen. C. P. Keyes, C.B., Commanding the Panjab Frontier Force.
Illustrations of the use of the DOUBLE RUDDER in the Middle Ages. 7
figures, viz., No. 1, The Navicello of Giotto in the Porch of St. Peter's.
From Eastlake's H. of Painting; Nos. 2 and 3, from Pertz, Scriptores,
tom. xviii. after a Genoese Chronicle; No. 4, Sketch from fresco of
Spinello Aretini at Siena; No. 5, Seal of Port of Winchelsea, from Sussex
Archaeological Collections, vol. i. 1848; No. 6, Sculpture on Leaning
Tower at Pisa, after Jal, Archeologie Navale; No. 7, from the Monument
of Peter Martyr, the persecutor of the Lombard Patarini, in the Church
of St. Eustorgius at Milan, after Le Tombe ed i Monumenti Illustri
d'Italia, Mil. 1822-23.
The ARBRE SEC, and ARBRES DU SOLEIL ET DE LA LUNE. From a miniature in
the Prose Romance of Alexander, in the Brit. Museum MS. called the
Shrewsbury Book (Reg. xv. e. 6).
The CHINAR or Oriental Plane, viz., that called the Tree of Godfrey of
Boulogne at Buyukdere, near Constantinople. Borrowed from Le Monde
Vegetal of Figuier.
Portrait of H. H. AGHA KHAN MEHELATI, late representative of the OLD MAN
of the MOUNTAIN.
