- "Full Yong He Was And Merry Of Thought, And In Samette With Birdes Wrought And With Gold Beaten Full Fetously, His Bodie Was Clad Full Richely." - Rom.

Of the Rose, 836-839.

M. Michel thinks that in a stuff so termed the gold wire was beaten out after the execution of the embroidery, a process which widened the metallic surface and gave great richness of appearance. The fact was rather, however, according to Dr. Rock, that the gold used in weaving such tissues was not wire but beaten sheets of gold cut into narrow strips. This would seem sufficient to explain the term "beaten gold," though Dr. Rock in another passage refers it to a custom which he alleges of sewing goldsmith's work upon robes. (Fr. Michel, Recherches, II. 389, also I. 371; Rock's Catalogue, pp. xxv. xxix. xxxviii. cvi.)

NOTE 3. - The number of these festivals and distributions of dresses is thirteen in all the old texts, except the Latin of the Geog. Soc., which has twelve. Thirteen would seem therefore to have been in the original copy. And the Ramusian version expands this by saying, "Thirteen great feasts that the Tartars keep with much solemnity to each of the thirteen moons of the year."[1] It is possible, however, that this latter sentence is an interpolated gloss; for, besides the improbability of munificence so frequent, Pauthier has shown some good reasons why thirteen should be regarded as an error for three. The official History of the Mongol Dynasty, which he quotes, gives a detail of raiment distributed in presents on great state occasions three times a year.

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