The Pinewood Fire Flashes Fitfully
On A Masterpiece Of Vereschagin's, Which Stands On An Easel By The
Hearth, And The Massive Gold "Ikon," [A] Encrusted With Diamonds And
Precious Stones, In The Corner.
A large oil painting of his Majesty
the Czar of Russia hangs over the marble chimneypiece.
It is growing dark. Already a wintry wilderness of garden without,
upon which snow and sleet are pitilessly beating, is barely
discernible. By the window looms, through the dusk, the shadowy shape
of an enormous stuffed tiger, crouched as if about to spring upon a
spare white-haired man in neat dark green uniform, who, seated at a
writing-table covered with papers and official documents, has just
settled himself more comfortably in a roomy armchair. With a pleasant
smile, and a long pull at a freshly lit "papirosh," he gives vent to
his feelings with the remark that heads this chapter.
There is silence for a while, unbroken save by the crackle of blazing
logs and occasional rattle of driving sleet against the window-panes.
It is the 5th of January (O.S.). I am at Tiflis, in the palace of
Prince Dondoukoff Korsakoff, Governor of the Caucasus, and at the
present moment in that august personage's presence.
"Ceci non!" repeats the prince a second time, in answer to my request;
adding impatiently, "They should know better in London than to send
you to me. The War Minister in St. Petersburg alone has power to grant
foreigners permission to visit Central Asia.
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