When the kapala's nude little son, about two
and a half years old, approached my film box his father spoke harshly to
him; the child immediately began to cry bitterly and his mother, the great
blian, soothed and affectionately kissed him until he became calm.
The obliging kapala, in order to do his bit to induce the people to dance,
offered to present one pig if I would give rice and salt. The dancing,
which was performed around a blanga on a mat spread on the ground, was
similar in character to what may be seen elsewhere in Borneo. Four men and
four women performed one dance. In another only women took part, and they
moved one behind another in a circle with unusually quick, short steps,
signifying that good antohs had taken possession of them. The principal
blian later sat down on a mat and sang; three women sitting near
accompanied her by beating small oblong drums. They all became
enthusiastic, for music attracts good antohs. In the Katingan language the
word lauk means creature; an additional word, earth, water, or air, as the
case may be, signifying whether an animal, a bird, or a fish is meant.
Having accomplished in a short time as much as could be expected, we
returned to Kuala Samba, and from there, in the first week of January,
started southward in our big prahu. The river was very low, and after half
an hour we were compelled to take on board two Bakompai men as pilots
among the sand banks.