Through Central Borneo An Account Of Two Years' Travel In The Land Of The Head-Hunters Between The Years 1913 And 1917 By Carl Lumholtz
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These Interesting Objects Are Carved
Representations Of A Good Antoh, Or Of Man, Bird, Or Animal Which Good
Antohs Have Entered, And Which, Therefore, Are Believed To Protect Their
Owners.
When the carving has been finished the blian invokes a beneficent
antoh to take it in possession, by dancing and singing one or two nights
and by smearing blood on it from the sacrifice of a fowl, pig, or a
water-buffalo - formerly often taken from a slave.
As with a person, so with
a kapatong; nobody is permitted to step over it lest the good antoh which
resides in it should become frightened and flee.
Kapatongs are made from ironwood; they are of various kinds and serve many
purposes. The larger ones, which appear as crude statues in many kampongs
of Southern Borneo, more rarely on the Mahakam, are supposed to be
attendants on the souls of the dead and were briefly described in Chapter
XII.
The smaller kapatongs are used for the protection of the living and all
their earthly belongings or pursuits. These images and their pedestals are
usually carved from one block, though the very small ones may be made to
stand inside of an upright piece of bamboo. Some kapatongs are placed in
the ladang to protect the crops, others in the storehouse or inside the
baskets where rice or food is kept. The monkey, itself very predatory on
the rice fields, is converted into an efficient watchman in the form of
its image, which is considered an excellent guardian of boiled rice that
may be kept over from one meal to the next.
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