Through Central Borneo An Account Of Two Years' Travel In The Land Of The Head-Hunters Between The Years 1913 And 1917 By Carl Lumholtz
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All Were Of The Same Shape, But
Had Different Designs, And He Knew The Meaning Of These - There Was No
Doubt About It - So I Bought His Entire Stock, Thirteen In Number.
I
learned that most of the people were able to interpret the basket designs,
but the art of basket-making is limited, most of them being made by one or
two women on the Tappin.
A very good one, large and with a cover, came
from the neighbouring lower kampong. An old blian sold it to me, and his
wife softly reproved him for so doing, but when I gave her ten cents as a
present she seemed very well satisfied.
For the interpretation of these designs I found an excellent teacher in a
gentlewoman from the lower kampong. She had extensive knowledge concerning
this matter, an impression later confirmed by submission of the baskets to
another woman expert from the Tappin, of repute as a maker and for
knowledge of the designs. I hope that in due time my informant will
receive the photograph of herself and her boys which I shall send to her
in grateful recognition of her valuable assistance. Her name was Dongiyak,
while her good husband was called Nginging. She had two attractive and
extremely well-behaved sons of twelve and fourteen years, who trusted
implicitly in her and showed absolute obedience, while she was kindness
itself coupled with intelligence. In fact their relations were ideal, and
it seemed a pity that these fine boys should grow to manhood and die in
dense ignorance.
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