Through Central Borneo An Account Of Two Years' Travel In The Land Of The Head-Hunters Between The Years 1913 And 1917 By Carl Lumholtz




























































 -  She became young and beautiful, and
it also gave her many beautiful garments. By the same aid Semang made the - Page 219
Through Central Borneo An Account Of Two Years' Travel In The Land Of The Head-Hunters Between The Years 1913 And 1917 By Carl Lumholtz - Page 219 of 253 - First - Home

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She Became Young And Beautiful, And It Also Gave Her Many Beautiful Garments.

By the same aid Semang made the room handsome.

Everything became changed instantly. The ceiling was of ironwood, and the planks of the floor were of a wood called lampong, which resembles cedar. Large numbers of brass vessels were there, and many gongs were brought from the prahu, besides a great quantity of various goods. The mother said: "This is well, Semang." She felt that she no longer had cause to be troubled; that whatever she and Semang might need would come without effort on their part.

NOTE. - According to Long-Glat belief, the deer, called in Malay rusa, possesses a magic liquid which enables it to restore the dead to life. The name of the liquid is telang kliman (telang = liquid; kliman = to make alive).

18. ADVENTURES IN PURSUIT OF MAGIC

(From the Long-Glats, kampong Long Tujo)

Once there lived a woman, Boamaring, who was Raja Besar in a large kampong where people did not know how to work. They could not make ladangs nor prahus. Everything they needed came to them of its own accord, and the rajas of the neighbouring kampongs were afraid of her. This is the way it came about.

She heard a rumour of a musical instrument which could play by itself, and which had the power of bringing all necessary food. She said to her husband, whose name was Batangnorang, "Go to the limit of the sky and bring the instrument that plays by itself." Putting on tiger skin, and carrying his parang and sumpitan, Batangnorang went into a small prahu which was able to fly, and it flew one month, to the end of the sky. He landed in a durian tree, near a small house covered with the tail feathers of the hornbill. Its walls were of tiger skins, the ridgepole, as well as the poles of the framework, were made of brass, and a carving of the naga stood out from each gable.

He heard music from inside the house, and saw a woman dancing alone to the tune of the instrument that played by itself. She was the antoh of the end of the sky, and he knew that she ate people, so he was afraid to come down, for many men since long ago had arrived there and had been eaten. Many corpses of men could be seen lying on the ground. From his bamboo cask he took a small arrow, placed it in his sumpitan, and then blew it out toward the dancing woman. The arrow hit the woman in the small of the back, and she fell mortally wounded. Then he flew down to the house, finished killing her with his spear, and cut her head off with his parang. He then went up to her room and took the musical instrument, her beautiful clothing, and beads, and placed all, together with the head, in his prahu. He also took many fine rattan mats, burned the house, and flew away in the sky.

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