A Record Of Buddhistic Kingdoms - Diary Of A Pedestrian In Cashmere And Thibet By William Henry Knight




























































 -  This dignitary had
formerly been its Rajah, but during Gulab Singh's time was reduced
to the post of Vizier, or - Page 83
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This Dignitary Had Formerly Been Its Rajah, But During Gulab Singh's Time Was Reduced To The Post Of Vizier, Or Prime Minister To Nobody In Particular, With A Salary Of Some Thirty Rupees Per Annum.

Where our last camp was pitched, we found a circle of natives congregated, some standing, some sitting on their

Haunches, but all accompanying to the full extent of their voices - at the same time clapping time with their hands - the efforts of a band of six or seven artists on the pipe and tabor, who kept up a quavering strain of what they doubtless believed to be music. To the united melody thus produced, a string of a dozen or so of ladies, in their full war paint, were decorously going through the monotonous evolutions of a popular dance, waving their arms about, gesticulating, and at the same time lingering, as it were, over the ground, and comporting themselves in that staid, yet fitfully lively way, which seems to be the general style of Eastern dancing. They were attired most picturesquely, and evidently in their very fullest ball costume, so that we were fortunate in hitting upon such a good opportunity of seeing their gala manners and customs. They all wore caps of some kind, either of a small, close-fitting pattern, like a fez, or in the shape of a large, and very ultra Scotch cap, black, and very baggy; these were hung round with little silver ornaments, something in the shape of wine labels for decanters, but studded with turquoises; some of them, also, wore brooches, generally formed of three cornelians, or turquoises, in a row. The broad bands of turquoise, worn usually on the forehead, were for the time disrated from their post of honour, and were suspended instead from the nape of the neck, over a square piece of stiff cloth, embroidered with strings of red beads. Round the shoulders, and hanging low, in order to show off the turquoises, lumps of amber, and other family jewels, were the sheepskin cloaks, inseparable from Thibetian female costume; they were, however, of larger size than those of every day life, and were gorgeously decorated outside in red and blue, the FUR merely appearing at the edges. Below this, everything merged in some mysterious way into the variegated sheepskin boots of the country, also decorated with red, blue, and yellow cloth patterns on the instep. These bore a very conspicuous position in the dance, as the ladies, contrary to the principles of modern art, were continually regarding and showing forth the aforesaid boots, as they glided about, and pattered the time to the well-marked music. The dance was altogether much more pleasing than the Indian nach, and the ladies, in spite of their savage jewellery, and rude manner, were much more womanly and respectable than their gauzy, be-ringed and bare-footed southern rivals.

After the dance was over, there was a general move to a large, open space of ground, where the male part of the community were to show off their prowess in the native games.

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