NOTES
[1] The modern Patna, lat. 25d 28s N., lon. 85d 15s E. The Sanskrit
name means "The city of flowers." It is the Indian Florence.
[2] See chap. x, note 3. Asoka transferred his court from Rajagriha to
Pataliputtra, and there, in the eighteenth year of his reign, he
convoked the third Great Synod, - according, at least, to southern
Buddhism. It must have been held a few years before B.C. 250; Eitel
says in 246.
[3] "The Vulture-hill;" so called because Mara, according to Buddhist
tradition, once assumed the form of a vulture on it to interrupt the
meditation of Ananda; or, more probably, because it was a resort of
vultures. It was near Rajagriha, the earlier capital of Asoka, so that
Fa-hien connects a legend of it with his account of Patna. It abounded
in caverns, and was famous as a resort of ascetics.
[4] A Brahman by cast, but a Buddhist in faith.
[5] So, by the help of Julien's "Methode," I transliterate the Chinese
characters {.} {.} {.} {.}. Beal gives Radhasvami, his Chinese text
having a {.} between {.} and {.}. I suppose the name was Radhasvami or
Radhasami.
[6] {.} {.}, the names of two kinds of schools, often occurring in the
Li Ki and Mencius. Why should there not have been schools in those
monasteries in India as there were in China? Fa-hien himself grew up
with other boys in a monastery, and no doubt had to "go to school."
And the next sentence shows us there might be schools for more
advanced students as well as for the Sramaneras.
[7] See chap. xvi, note 22. It is perhaps with reference to the famous
Bodhisattva that the Brahman here is said to be "also" named Manjusri.
[8] ? Cashmere cloth.
[9] See chap. xxiii, note 3.
[10] We wish that we had more particulars of this great transaction,
and that we knew what value in money Asoka set on the whole world. It
is to be observed that he gave it to the monks, and did not receive it
from them. Their right was from him, and he bought it back. He was the
only "Power" that was.
[11] We know nothing more of Ne-le. It could only have been a small
place; an outpost for the defence of Pataliputtra.
CHAPTER XXVIII
RAJAGRIHA, NEW AND OLD. LEGENDS AND INCIDENTS CONNECTED WITH IT.
(The travellers) went on from this to the south-east for nine yojanas,
and came to a small solitary rocky hill,[1] at the head or end of
which[2] was an apartment of stone, facing the south, - the place where
Buddha sat, when Sakra, Ruler of Devas, brought the deva-musician,
Pancha-(sikha),[3] to give pleasure to him by playing on his lute.
Sakra then asked Buddha about forty-two subjects, tracing (the
questions) out with his finger one by one on the rock.[4] The prints
of his tracing are still there; and here also there is a monastery.
A yojana south-west from this place brought them to the village of
Nala,[5] where Sariputtra[6] was born, and to which also he returned,
and attained here his pari-nirvana. Over the spot (where his body was
burned) there was built a tope, which is still in existence.
Another yojana to the west brought them to New Rajagriha,[7] - the new
city which was built by king Ajatasatru. There were two monasteries in
it. Three hundred paces outside the west gate, king Ajatasatru, having
obtained one portion of the relics of Buddha, built (over them) a
tope, high, large, grand, and beautiful. Leaving the city by the south
gate, and proceeding south four le, one enters a valley, and comes to
a circular space formed by five hills, which stand all round it, and
have the appearance of the suburban wall of a city. Here was the old
city of king Bimbisara; from east to west about five or six le, and
from north to south seven or eight. It was here that Sariputtra and
Maudgalyayana first saw Upasena;[8] that the Nirgrantha[9] made a pit
of fire and poisoned the rice, and then invited Buddha (to eat with
him); that king Ajatasatru made a black elephant intoxicated with
liquor, wishing him to injure Buddha;[10] and that at the north-east
corner of the city in a (large) curving (space) Jivaka built a vihara
in the garden of Ambapali,[11] and invited Buddha with his 1250
disciples to it, that he might there make his offerings to support
them. (These places) are still there as of old, but inside the city
all is emptiness and desolation; no man dwells in it.
NOTES
[1] Called by Hsuan-chwang Indra-sila-guha, or "The cavern of Indra."
It has been identified with a hill near the village of Giryek, on the
bank of the Panchana river, about thirty-six miles from Gaya. The hill
terminates in two peaks overhanging the river, and it is the more
northern and higher of these which Fa-hien had in mind. It bears an
oblong terrace covered with the ruins of several buildings, especially
of a vihara.
[2] This does not mean the top or summit of the hill, but its
"headland," where it ended at the river.
[3] See the account of this visit of Sakra in M. B., pp. 288-290. It
is from Hardy that we are able to complete here the name of the
musician, which appears in Fa-hien as only Pancha, or "Five." His harp
or lute, we are told, was "twelve miles long."
[4] Hardy (M. B., pp.