Finding an opening, we
approached within about five cubits of the place, and holding each
stone between the thumb and the forefinger[FN#6] of the right hand, we
cast it at the pillar, exclaiming, “In the name of Allah, and Allah is
Almighty!
(I do this) in Hatred of the Fiend and to his Shame.” After
which came the Tahlil and the “Sana,” or praise to Allah. The seven stones
being duly thrown, we retired, and entering the barber’s booth, took our
places upon one of the earthern benches around it. This was the time to
remove the Ihram or pilgrim’s garb, and to return to Ihlal, the normal
state of Al-Islam. The barber shaved our heads,[FN#7] and, after
trimming our beards and cutting our nails, made us repeat these words: “I
purpose loosening my Ihram according to the Practice of the Prophet,
Whom may Allah bless and preserve! O Allah, make unto me in every Hair,
a Light, a Purity, and a generous Reward! In the name of Allah, and
Allah is Almighty!” At the conclusion of his labour, the barber politely
addressed to us a “Na’iman—Pleasure to you!” To which we as ceremoniously
replied, “Allah give thee pleasure!” We had no clothes with us, but we
could use our cloths to cover our heads, and slippers to defend our
feet from the fiery sun; and we now could safely twirl our mustachios
and stroke our beards—placid enjoyments of which we had been deprived by
the
[p.206] Laws of Pilgrimage. After resting about an hour in the booth,
which, though crowded with sitting customers, was delightfully cool
compared with the burning glare of the road, we mounted our asses, and
at eleven A.M. we started Meccah-wards.
This return from Muna to Meccah is called Al-Nafr, or the Flight[FN#8]:
we did not fail to keep our asses at speed, with a few halts to refresh
ourselves with gugglets of water. There was nothing remarkable in the
scene: our ride in was a repetition of our ride out. In about half an
hour we entered the city, passing through that classical locality
called “Batn Kuraysh,” which was crowded with people, and then we repaired
to the boy Mohammed’s house for the purpose of bathing and preparing to
visit the Ka’abah.
Shortly after our arrival, the youth returned home in a state of
excitement, exclaiming, “Rise, Effendi! dress and follow me!” The Ka’abah,
though open, would for a time be empty, so that we should escape the
crowd. My pilgrim’s garb, which had not been removed, was made to look
neat and somewhat Indian, and we sallied forth together without loss of
time.
A crowd had gathered round the Ka’abah, and I had no wish to stand
bareheaded and barefooted in the midday September sun. At the cry of
“Open a path for the Haji who would enter the House,” the gazers made way.
Two stout Meccans, who stood below the door, raised me in their arms,
whilst a third drew me from above into the building. At the entrance I
was accosted by several officials, dark-looking Meccans, of whom the
blackest and plainest was a youth of the Benu Shaybah family,[FN#9]
[p.207] the sangre-azul of Al-Hijaz. He held in his hand the huge
silver-gilt padlock of the Ka’abah,[FN#10] and presently taking his seat
upon a kind of wooden press in the left corner of the hall, he
officially inquired my name, nation, and other particulars. The replies
were satisfactory, and the boy Mohammed was authoritatively ordered to
conduct me round the building, and to recite the prayers. I will not
deny that, looking at the windowless walls, the officials at the door,
and the crowd of excited fanatics below—
“And the place death, considering who I was,”[FN#11] my feelings were of
the trapped-rat description, acknowledged by the immortal nephew of his
uncle Perez. This did not, however, prevent my carefully observing the
scene during our long prayers, and making a rough plan with a pencil
upon my white Ihram.
Nothing is more simple than the interior of this celebrated building.
The pavement, which is level with the ground, is composed of slabs of
fine and various coloured marbles, mostly, however, white, disposed
chequerwise. The walls, as far as they can be seen, are of the same
material, but the pieces are irregularly shaped, and many of them are
engraved with long inscriptions in the Suls and other modern
characters. The upper part of the walls, together with the ceiling, at
which it is considered disrespectful to look,[FN#12] are covered with
handsome
[p.208] red damask, flowered over with gold,[FN#13] and tucked up about
six feet high, so as to be removed from pilgrims’ hands. The flat roof is
upheld by three cross-beams, whose shapes appear under the arras; they
rest upon the eastern and western walls, and are supported in the
centre by three columns[FN#14] about twenty inches in diameter, covered
with carved and ornamented aloes wood.[FN#15] At the Iraki corner there
is a dwarf door, called Bab al-Taubah (of Repentance).[FN#16] It leads
into a narrow passage and to the staircase by which the servants ascend
to the roof: it is never opened except for working purposes. The “Aswad” or
[p.209] “As’ad[FN#17]” corner is occupied by a flat-topped and
quadrant-shaped press or safe,[FN#18] in which at times is placed the
key of the Ka’abah.[FN#19] Both door and safe are of aloes wood. Between
the columns, and about nine feet from the ground, ran bars of a metal
which I could not distinguish, and hanging to them were many lamps,
said to be of gold.
Although there were in the Ka’abah but a few attendants engaged in
preparing it for the entrance of pilgrims,[FN#20] the windowless stone
walls and the choked-up door made it worse than the Piombi of Venice;
perspiration trickled in large drops, and I thought with horror what it
must be when filled with a mass of furiously jostling and crushing
fanatics.
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