Personal Narrative Of A Pilgrimage To Al-Madinah & Meccah - Volume 1 of 2 - By Captain Sir Richard F. Burton




























 -  Nor less weird than the scene are the sounds!-the
hyaena's laugh, the howl of the wild dog, and the - Page 32
Personal Narrative Of A Pilgrimage To Al-Madinah & Meccah - Volume 1 of 2 - By Captain Sir Richard F. Burton - Page 32 of 154 - First - Home

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Nor Less Weird Than The Scene Are The Sounds!-The Hyaena's Laugh, The Howl Of The Wild Dog, And The Screech Of The Low-Flying Owl.

Or we spent the evening at some Takiyah[FN#23] (Darwayshes' Oratory), generally preferring that called the "Gulshani," near the Muayyid Mosque outside the Mutawalli's saintly door.

There is nothing attractive in its appearance. You mount a flight of ragged steps, and enter a low verandah enclosing an open stuccoed terrace, where stands the holy man's domed tomb: the two stories contain small dark rooms in which the Darwayshes dwell, and the ground-floor doors open into the

[p.86]verandah. During the fast-month, Zikrs[FN#24] are rarely performed in the Takiyahs: the inmates pray there in congregations, or they sit conversing upon benches in the shade. And a curious medley of men they are, composed of the choicest vagabonds from every nation of Al-Islam. Beyond this I must not describe the Takiyah or the doings there, for the "path" of the Darwaysh may not be trodden by feet profane.

Curious to see something of my old friends the Persians, I called with Haji Wali upon one Mirza Husayn, who by virtue of his dignity as "Shahbandar[FN#25]" (he calls himself "Consul-General"), ranks with the dozen little quasi-diplomatic kings of Cairo. He suspends over his lofty gate a sign-board in which the Lion and the Sun (Iran's proud ensign) are by some Egyptian limner's art metamorphosed into a preternatural tabby cat grasping a scimitar, with the jolly fat face of a "gay" young lady, curls and all complete, resting fondly upon her pet's concave back. This high dignitary's reception room was a court-yard sub dio: fronting the door were benches and cushions composing the Sadr or high place, with the parallel rows of Diwans spread down the less dignified sides, and a line of naked boards, the lowest seats, ranged along the door-wall. In the middle stood three little tables supporting three huge lanterns-as is their size so is the owner's dignity-each of which contained three of the largest spermaceti candles.

The Haji and I entering took our seats upon the side benches with humility, and exchanged salutations with the great man on the Sadr. When the Darbar or levee was full, in stalked the Mirza, and all arose as he calmly divested himself of his shoes; and with all due

[p.87]solemnity ascended his proper cushion. He is a short, thin man about thirty-five, with regular features and the usual preposterous lamb-skin cap and beard, two peaked black cones at least four feet in length, measured from the tips, resting on a slender basement of pale yellow face. After a quarter of an hour of ceremonies, polite mutterings and low bendings with the right hand on the left breast, the Mirza's pipe was handed to him first, in token of his dignity-at Teheran he was probably an under-clerk in some government office. In due time we were all served with Kaliuns[FN#26] (Persian hookahs) and coffee by the servants, who made royal conges whenever they passed the great man; and more than once the janissary, in dignity of belt and crooked sabre, entered the court to quicken our awe.

The conversation was the usual Oriental thing. It is, for instance, understood that you have seen strange things in strange lands.

"Voyaging-is-victory," quotes the Mirza; the quotation is a hackneyed one, but it steps forth majestic as to pause and emphasis.

"Verily," you reply with equal ponderousness of pronunciation and novelty of citation, "in leaving home one learns life, yet a journey is a bit of Jahannam."

Or if you are a physician the "lieu commun" will be, "Little-learn'd doctors the body destroy: Little-learn'd parsons the soul destroy."

To which you will make answer, if you would pass for a man of belles lettres, by the well-known lines,

"Of a truth, the physician hath power with drugs, Which, long as the patient hath life, may relieve him; But the tale of our days being duly told, The doctor is daft, and his drugs deceive him."

After sitting there with dignity, like the rest of the guests, I took my leave, delighted with the truly Persian

[p.88]"apparatus" of the scene. The Mirza, having no salary, lives by fees extorted from his subjects, who pay rather than lack protection; and his dragoman for a counter-fee will sell their interests shamelessly. He is a hidalgo of blue blood in pride, pompousness and poverty. There is not a sheet of writing-paper in the "Consulate"-when they want one a farthing is sent to the grocer's-yet the Consul drives out in an old carriage with four outriders, two tall-capped men preceding and two following the crazy vehicle. And the Egyptians laugh heartily at this display, being accustomed by Mohammed Ali to consider all such parade obsolete.

About half-an-hour before midnight sounds the Abrar[FN#27] or call to prayer, at which time the latest wanderers return home to prepare for the Sahur, their dawn meal. You are careful on the way to address each sentinel with a "Peace be upon thee!" especially if you have no lantern, otherwise you may chance to sleep in the guard-house. And, chemin faisant, you cannot but stop to gaze at streets as little like what civilised Europe understands by that name as is an Egyptian temple to the new Houses of Parliament.

There are certain scenes, cannily termed "Ken-speckle," which print themselves upon Memory, and which endure as long as Memory lasts,-a thunder-cloud bursting upon the Alps, a night of stormy darkness off the Cape, an African tornado, and, perhaps, most awful of all, a solitary journey over the sandy Desert.

Of this class is a stroll through the thoroughfares of old Cairo by night. All is squalor in the brilliancy of noon-day.

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