The Ceiling Is Of Date-Sticks Laid
Across Palm-Rafters Stained Red, And The Walls Are Of Rough Scoriae,
Burnt Bricks, And Wood-Work Cemented With Lime.
The only signs of
furniture in the sitting-room are a Diwan[FN#15] round the sides and a
carpet in the centre.
A
[p.296] huge wooden box, like a seaman's chest, occupies one of the
corners. In the southern wall there is a Suffah, or little shelf of
common stone, sunk under a single arch; upon this are placed articles
in hourly use, perfume-bottles, coffee-cups, a stray book or two, and
sometimes a turband, to be out of the children's way. Two hooks on the
western wall, hung jealously high up, hold a pair of pistols with
handsome crimson cords and tassels, and half a dozen cherry-stick
pipes. The centre of the room is never without one or more
Shishas[FN#16] (water pipes), and in the corner is a large copper
brazier containing fire, with all the utensils for making coffee either
disposed upon its broad brim or lying about the floor. The passage,
like the stairs, is spread over with hard black earth, and is regularly
watered twice a day during the hot weather.
The household consisted of Hamid's mother, wife, some nephews and
nieces, small children who ran about in a half-wild and more than
half-nude state, and two African slave girls. When the Damascus Caravan
came
[p.297] in, it was further reinforced by the arrival of his three
younger brothers.
Though the house was not grand, it was made lively by the varied views
out of the Majlis' windows. From the East, you looked upon the square
Al-Barr, the town walls and houses beyond it, the Egyptian gate, the
lofty minarets of the Harim, and the distant outlines of Jabal
Ohod.[FN#17] The north commanded a prospect of Mohammed's Mosque, one
of the Khamsah Masajid,[FN#18] or the five suburban Mosques[FN#19]; of
part of the fort-wall; and, when the Damascus Caravan came in, of the
gay scene of the "Prado" beneath. The Majlis was tolerably cool during
the early part of the day: in the afternoon the sun shone fiercely upon
it. I have described the establishment at some length as a specimen of
how the middle classes are lodged at Al-Madinah. The upper ranks affect
Turkish and Egyptian luxuries in their homes, as I had an opportunity
of seeing at Omar Effendi's house in the "Barr;" and in these countries
the abodes of the poor are everywhere very similar.
Our life in Shaykh Hamid's house was quiet, but not disagreeable. I
never once set eyes upon the face of woman, unless the African slave
girls be allowed the title. Even these at first attempted to draw their
ragged veils over their sable charms, and would not answer the simplest
question; by degrees they allowed me to see them, and they ventured
their voices to reply to me; still they never threw off a certain
appearance of shame.[FN#20]
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