Personal Narrative Of A Pilgrimage To Al-Madinah & Meccah - Volume 1 of 2 - By Captain Sir Richard F. Burton




























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The Meccan Mosque became a model to the world of Al-Islam, and the
nations that embraced the new faith - Page 130
Personal Narrative Of A Pilgrimage To Al-Madinah & Meccah - Volume 1 of 2 - By Captain Sir Richard F. Burton - Page 130 of 571 - First - Home

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The Meccan Mosque Became A Model To The World Of Al-Islam, And The Nations That Embraced The New Faith

Copied the consecrated building, as religiously as Christendom produced imitations of the Holy Sepulchre.[FN#7] The Mosque of Omar

At Jerusalem, of Amru at Babylon on the Nile, and of Taylun at Cairo were erected, with some trifling improvements, such as arched cloisters and inscribed cornices, upon the plan of the Ka'abah. From Egypt and Palestine the ichnography spread far and wide. It was modified, as might be expected, by national taste; what in Arabia was simple and elegant became highly ornate in Spain,[FN#8] florid in Turkey, sturdy in Syria, and effeminate in India. Still divergence of detail had not, even after the lapse of twelve centuries, materially altered the fundamental form.

[p.96]Perhaps no Eastern city affords more numerous or more accessible specimens of Mosque architecture than Cairo. Between 300 and 400 places of worship;[FN#9] some stately piles, others ruinous hovels, many new, more decaying and earthquake-shaken, with minarets that rival in obliquity the Pisan monster, are open to the traveller's inspection. And Europeans by following the advice of their hotel-keeper have penetrated, and can penetrate, into any one they please.[FN#10] If architecture be really what I believe it to be, the highest expression of a people's artistic feeling,-highest because it includes all others,-to compare the several styles of the different epochs, to observe how each monarch building his own Mosque, and calling it by his own name, identified the manner of the monument with himself, and to trace the gradual decadence of art through one thousand two hundred years, down to the present day, must be a work of no ordinary interest to Orientalists.

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