The
Same Lack Of Uniformity Is Found In The Pedestals Of The Columns,
The Finish And Style Of Which Is Constantly Varying.
Why, then, should we not pay some attention to the explanations
of the Brahmans?
They say that this temple was begun by the sons
of Pandu, after "the great war," Mahabharata, and that after their
death every true believer was bidden to continue the work according
to his own notions. Thus the temple was gradually built during
three centuries. Every one who wished to redeem his sins would
bring his chisel and set to work. Many were the members of royal
families, and even kings, who personally took part in these labors.
On the right hand side of the temple there is a corner stone, a
lingam of Shiva in his character of Fructifying Force, which is
sheltered by a small square chapel with four doors. Round this
chapel are many colossal human figures. According to the Brahmans,
these are statues representing the royal sculptors themselves,
they being doorkeepers of the holy of holies, Hindus of the highest
caste. Each of the larger figures leans upon a dwarf representative
of the lower castes, which have been promoted by the popular fancy
to the rank of demons (Pisachas). Moreover, the temple is full
of unskillful work. The Brahmans hold that such a holy place
could not be deserted if men of the preceding and present generations
had not become unworthy of visiting it. As to Kanari or Kanhari,
and some other cave temples, there is not the slightest doubt that
they were all erected by Buddhists.
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