From The Caves And Jungles Of Hindostan Translated From The Russian Of Helena Petrovna Blavatsky



























 -   Their devotion to those that are gone is always more
demonstrative than their affection for the living members of their - Page 75
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Their Devotion To Those That Are Gone Is Always More Demonstrative Than Their Affection For The Living Members Of Their Families, And Almost Entirely Concentrates Itself On Their Last Abodes.

In proportion as their notions of paradise are coarse and material, the appearance of their cemeteries is poetical, especially in India.

One may pleasantly spend whole hours in these shady, delightful gardens, amongst their white monuments crowned with turbans, covered with roses and jessamine and sheltered with rows of cypresses. We often stopped in such places to sleep and dine. A cemetery near Thalner is especially attractive. Out of several mausoleums in a good state of preservation the most magnificent is the monument of the family of Kiladar, who was hanged on the city tower by the order of General Hislop in 1818. Four other mausoleums attracted our attention and we learned that one of them is celebrated throughout India. It is a white marble octagon, covered from top to bottom with carving, the like of which could not be found even in Pere La Chaise. A Persian inscription on its base records that it cost one hundred thousand rupees.

By day, bathed in the hot rays of the sun, its tall minaret-like outline looks like a block of ice against the blue sky. By night, with the aid of the intense, phosphorescent moonlight proper to India, it is still more dazzling and poetical. The summit looks as if it were covered with freshly fallen snow-crystals. Raising its slender profile above the dark background of bushes, it suggests some pure midnight apparition, soaring over this silent abode of destruction and lamenting what will never return. Side by side with these cemeteries rise the Hindu ghats, generally by the river bank. There really is something grand in the ritual of burning the dead. Witnessing this ceremony the spectator is struck with the deep philosophy underlying the fundamental idea of this custom. In the course of an hour nothing remains of the body but a few handfuls of ashes. A professional Brahman, like a priest of death, scatters these ashes to the winds over a river. The ashes of what once lived and felt, loved and hated, rejoiced and wept, are thus given back again to the four elements: to Earth, which fed it during such a long time and out of which it grew and developed; to Fire, emblem of purity, that has just devoured the body in order that the spirit may be rid of everything impure, and may freely gravitate to the new sphere of posthumous existence, where every sin is a stumbling block on the way to "Moksha," or infinite bliss; to Air, which it inhaled and through which it lived, and to Water, which purified it physically and spiritually, and is now to receive its ashes into her pure bosom.

The adjective "pure" must be understood in the figurative sense of the mantram. Generally speaking, the rivers of India, beginning with the thrice sacred Ganges, are dreadfully dirty, especially near villages and towns.

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