From The Caves And Jungles Of Hindostan Translated From The Russian Of Helena Petrovna Blavatsky



























 -   This progeny are we, Europeans.
Dravidian words found in some European languages, in Basque for
instance, greatly rejoice the hearts - Page 38
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This Progeny Are We, Europeans. Dravidian Words Found In Some European Languages, In Basque For Instance, Greatly Rejoice The Hearts Of The Brahmans, Who Would Gladly Promote The Philologists To The Rank Of Demi-Gods For This Important Discovery, Which Confirms So Gloriously Their Ancient Legend.

But it was Darwin who crowned the edifice of proof with the authority of Western education and Western scientific

Literature. The Indians became still more convinced that we are the veritable descendants of Hanuman, and that, if one only took the trouble to examine carefully, our tails might easily be discovered. Our narrow breeches and long skirts only add to the evidence, however uncomplimentary the idea may be to us.

Still, if you consider seriously, what are we to say when Science, in the person of Darwin, concedes this hypothesis to the wisdom of ancient Aryas. We must perforce submit. And, really, it is better to have for a forefather Hanu-man, the poet, the hero, the god, than any other monkey, even though it be a tailless one. Sita-Rama belongs to the category of mythological dramas, something like the tragedies of Aeschylus. Listening to this production of the remotest antiquity, the spectators are carried back to the times when the gods, descending upon earth, took an active part in the everyday life of mortals. Nothing reminds one of a modern drama, though the exterior arrangement is the same. "From the sublime to the ridiculous there is but a step," and vice versa. The goat, chosen for a sacrifice to Bacchus, presented the world tragedy (greek script here). The death bleatings and buttings of the quadrupedal offering of antiquity have been polished by the hands of time and of civilization, and, as a result of this process, we get the dying whisper of Rachel in the part of Adrienne Lecouvreur, and the fearfully realistic "kicking" of the modern Croisette in the poisoning scene of The Sphinx.

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