From The Caves And Jungles Of Hindostan Translated From The Russian Of Helena Petrovna Blavatsky



























 -   But it must be remembered that
in Russia, as elsewhere in Europe, people estimate the value of
this philological light - Page 103
From The Caves And Jungles Of Hindostan Translated From The Russian Of Helena Petrovna Blavatsky - Page 103 of 357 - First - Home

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But It Must Be Remembered That In Russia, As Elsewhere In Europe, People Estimate The Value Of This Philological Light By The Points Of Exclamation Lavished Upon Him By His Admiring Followers, And That No One Reads The Veda Bhashaya Of Swami Dayanand.

It may even be that I shall not be far from the truth in saying that the very existence of this work is ignored, which may perhaps be a fortunate fact for the reputation of Professor Max Muller.

I shall be as brief as possible. When Professor Max Muller states, in his Sahitya-Grantha, that the Aryan tribe in India acquired the notion of God step by step and very slowly, he evidently wishes to prove that the Vedas are far from being as old as is supposed by some of his colleagues. Having presented, in due course, some more or less valuable evidence to prove the truth of this new theory, he ends with a fact which, in his opinion, is indisputable. He points to the word hiranya-garbha in the mantrams, which he translates by the word "gold," and adds that, as the part of the Vedas called chanda appeared 3,100 years ago, the part called mantrams could not have been written earlier than 2,900 years ago. Let me remind the reader that the Vedas are divided into two parts: chandas - slokas, verses, etc.; and mantrams - prayers and rhythmical hymns, which are, at the same time, incantations used in white magic. Professor Max Muller divides the mantram ("Agnihi Poorwebhihi," etc.) philologically and chronologically, and, finding in it the word hiranya-garbha, he denounces it as an anachronism. The ancients, he says, had no knowledge of gold, and, therefore, if gold is mentioned in this mantram it means that the mantram was composed at a comparatively modern epoch, and so on.

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