Whether He Was Afraid Of Our Laughing At Him, Or Was At
Loss To Find An Explanation Of This New Metamorphosis In The
Positive Sciences In General, And Haeckel In Particular, He Did
Not Attempt To Explain Why The Affair Had Taken Such An Unexpectedly
Good Turn.
He merely mentioned awkwardly enough that his mother,
owing to some new mysterious conjectures of hers, had dismissed
all sad apprehensions as to the destiny of her elder son, and he
then dropped the subject completely.
- - - - -
In order to wipe away the traces of the morning's perplexities
from our minds, Sham Rao invited us to sit on the verandah, by
the wide entrance of his idol room, whilst the family prayers
were going on. Nothing could suit us better. It was nine o'clock,
the usual time of the morning prayers. Sham Rao went to the well
to get ready, and dress himself, as he said, though the process
was more like undressing. In a few moments he came back wearing
only a dhuti, as during dinner time, and with his head uncovered.
He went straight to his idol room. The moment he entered we heard
the loud stroke of a bell that hung under the ceiling, and that
continued tolling all the time the prayers lasted.
The Babu explained to us that a little boy was pulling the bell
rope from the roof.
Sham Rao stepped in with his right foot and very slowly. Then he
approached the altar and sat on a little stool with his legs crossed.
At the opposite side of the room, on the red velvet shelves of
an altar that resembled an etagere in the drawing-room of some
fashionable lady, stood many idols. They were made of gold, of
silver, of brass and of marble, according to their im-portance and
merits. Maha-Deva or Shiva was of gold. Gunpati or Ganesha of
silver, Vishnu in the form of a round black stone from the river
Gandaki in Nepal. In this form Vishnu is called Lakshmi-Narayan.
There were also many other gods unknown to us, who were worshipped
in the shapes of big sea-shells, called Chakra. Surya, the god
of the sun, and the kula-devas, the domestic gods, were placed in
the second rank. The altar was sheltered by a cupola of carved
sandal-wood. During the night the gods and the offerings were
covered by a huge bell glass. On the walls there were many sacred
images representing the chief episodes in the biographies of the
higher gods.
Sham Rao filled his left hand with ashes, murmuring prayers all
the while, covered it for a second with the right one, then put
some matter to the ashes, and mixing the two by rubbing his hands
together, he traced a line on his face with this mixture by moving
the thumb of his right hand from his nose upwards, then from the
middle of the forehead to the right temple, then back again to
the left temple.
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