Unbeaten Tracks In Japan By Isabella L. Bird
























































 -   The mechanical toys, worked by
water-wheels in the stream, are most fascinating.

Formal children's parties have been given in - Page 46
Unbeaten Tracks In Japan By Isabella L. Bird - Page 46 of 219 - First - Home

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The Mechanical Toys, Worked By Water-Wheels In The Stream, Are Most Fascinating.

Formal children's parties have been given in this house, for which formal invitations, in the name of the house-child, a girl of twelve, are sent out.

About 3 p.m. the guests arrive, frequently attended by servants; and this child, Haru, receives them at the top of the stone steps, and conducts each into the reception room, where they are arranged according to some well-understood rules of precedence. Haru's hair is drawn back, raised in front, and gathered into a double loop, in which some scarlet crepe is twisted. Her face and throat are much whitened, the paint terminating in three points at the back of the neck, from which all the short hair has been carefully extracted with pincers. Her lips are slightly touched with red paint, and her face looks like that of a cheap doll. She wears a blue, flowered silk kimono, with sleeves touching the ground, a blue girdle lined with scarlet, and a fold of scarlet crepe lies between her painted neck and her kimono. On her little feet she wears white tabi, socks of cotton cloth, with a separate place for the great toe, so as to allow the scarlet-covered thongs of the finely lacquered clogs, which she puts on when she stands on the stone steps to receive her guests, to pass between it and the smaller toes. All the other little ladies were dressed in the same style, and all looked like ill- executed dolls. She met them with very formal but graceful bows.

When they were all assembled, she and her very graceful mother, squatting before each, presented tea and sweetmeats on lacquer trays, and then they played at very quiet and polite games till dusk. They addressed each other by their names with the honorific prefix O, only used in the case of women, and the respectful affix San; thus Haru becomes O-Haru-San, which is equivalent to "Miss." A mistress of a house is addressed as O-Kami-San, and O-Kusuma - something like "my lady" - is used to married ladies. Women have no surnames; thus you do not speak of Mrs. Saguchi, but of the wife of Saguchi San; and you would address her as O-Kusuma. Among the children's names were Haru, Spring; Yuki, Snow; Hana, Blossom; Kiku, Chrysanthemum; Gin, Silver.

One of their games was most amusing, and was played with some spirit and much dignity. It consisted in one child feigning sickness and another playing the doctor, and the pompousness and gravity of the latter, and the distress and weakness of the former, were most successfully imitated. Unfortunately the doctor killed his patient, who counterfeited the death-sleep very effectively with her whitened face; and then followed the funeral and the mourning. They dramatise thus weddings, dinner-parties, and many other of the events of life. The dignity and self-possession of these children are wonderful. The fact is that their initiation into all that is required by the rules of Japanese etiquette begins as soon as they can speak, so that by the time they are ten years old they know exactly what to do and avoid under all possible circumstances.

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