Unbeaten Tracks In Japan By Isabella L. Bird
























































 -   Not to
be an exception, I invested in bouquets of firework flowers, fifty
flowers for 2 sen, or 1d., each - Page 30
Unbeaten Tracks In Japan By Isabella L. Bird - Page 30 of 417 - First - Home

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Not To Be An Exception, I Invested In Bouquets Of Firework Flowers, Fifty Flowers For 2 Sen, Or 1d., Each Of Which, As It Slowly Consumes, Throws Off Fiery Coruscations, Shaped Like The Most Beautiful Of Snow Crystals.

I was also tempted by small boxes at 2 sen each, containing what look like little slips of withered pith, but which, on being dropped into water, expand into trees and flowers.

Down a paved passage on the right there is an artificial river, not over clean, with a bridge formed of one curved stone, from which a flight of steps leads up to a small temple with a magnificent bronze bell. At the entrance several women were praying. In the same direction are two fine bronze Buddhas, seated figures, one with clasped hands, the other holding a lotus, both with "The light of the world" upon their brows. The grand red gateway into the actual temple courts has an extremely imposing effect, and besides, it is the portal to the first great heathen temple that I have seen, and it made me think of another temple whose courts were equally crowded with buyers and sellers, and of a "whip of small cords" in the hand of One who claimed both the temple and its courts as His "Father's House." Not with less righteous wrath would the gentle founder of Buddhism purify the unsanctified courts of Asakusa. Hundreds of men, women, and children passed to and fro through the gateway in incessant streams, and so they are passing through every daylight hour of every day in the year, thousands becoming tens of thousands on the great matsuri days, when the mikoshi, or sacred car, containing certain symbols of the god, is exhibited, and after sacred mimes and dances have been performed, is carried in a magnificent, antique procession to the shore and back again.

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