The Whole Is Intended To
Represent A Mountain On Which The Shinto Gods Slew Some Devils, But
Anything More Rude And Barbarous Could Scarcely Be Seen.
On the
fronts of each car, under a canopy, were thirty performers on
thirty diabolical instruments, which rent the air with a truly
infernal discord, and suggested devils rather than their
conquerors.
High up on the flat projections there were groups of
monstrous figures. On one a giant in brass armour, much like the
Nio of temple gates, was killing a revolting-looking demon. On
another a daimiyo's daughter, in robes of cloth of gold with satin
sleeves richly flowered, was playing on the samisen. On another a
hunter, thrice the size of life, was killing a wild horse equally
magnified, whose hide was represented by the hairy wrappings of the
leaves of the Chamaerops excelsa. On others highly-coloured gods,
and devils equally hideous, were grouped miscellaneously. These
two cars were being drawn up and down the street at the rate of a
mile in three hours by 200 men each, numbers of men with levers
assisting the heavy wheels out of the mud-holes. This matsuri,
which, like an English fair, feast, or revel, has lost its original
religious significance, goes on for three days and nights, and this
was its third and greatest day.
We left on mild-tempered horses, quite unlike the fierce fellows of
Yamagata ken. Between Minato and Kado there is a very curious
lagoon on the left, about 17 miles long by 16 broad, connected with
the sea by a narrow channel, guarded by two high hills called
Shinzan and Honzan.
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