Unbeaten Tracks In Japan By Isabella L. Bird
























































 -   On entering, one is much impressed by the great
height and steepness of the roof, altogether out of proportion to - Page 175
Unbeaten Tracks In Japan By Isabella L. Bird - Page 175 of 219 - First - Home

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On Entering, One Is Much Impressed By The Great Height And Steepness Of The Roof, Altogether Out Of Proportion To The Height Of The Walls.

The frame of the house is of posts, 4 feet 10 inches high, placed 4 feet apart, and sloping slightly inwards.

The height of the walls is apparently regulated by that of the reeds, of which only one length is used, and which never exceed 4 feet 10 inches. The posts are scooped at the top, and heavy poles, resting on the scoops, are laid along them to form the top of the wall. The posts are again connected twice by slighter poles tied on horizontally. The wall is double; the outer part being formed of reeds tied very neatly to the framework in small, regular bundles, the inner layer or wall being made of reeds attached singly. From the top of the pole, which is secured to the top of the posts, the framework of the roof rises to a height of twenty-two feet, made, like the rest, of poles tied to a heavy and roughly-hewn ridge-beam. At one end under the ridge-beam there is a large triangular aperture for the exit of smoke. Two very stout, roughly-hewn beams cross the width of the house, resting on the posts of the wall, and on props let into the floor, and a number of poles are laid at the same height, by means of which a secondary roof formed of mats can be at once extemporised, but this is only used for guests. These poles answer the same purpose as shelves. Very great care is bestowed upon the outside of the roof, which is a marvel of neatness and prettiness, and has the appearance of a series of frills being thatched in ridges. The ridge-pole is very thickly covered, and the thatch both there and at the corners is elaborately laced with a pattern in strong peeled twigs. The poles, which, for much of the room, run from wall to wall, compel one to stoop, to avoid fracturing one's skull, and bringing down spears, bows and arrows, arrow- traps, and other primitive property. The roof and rafters are black and shiny from wood smoke. Immediately under them, at one end and one side, are small, square windows, which are closed at night by wooden shutters, which during the day-time hang by ropes. Nothing is a greater insult to an Aino than to look in at his window.

On the left of the doorway is invariably a fixed wooden platform, eighteen inches high, and covered with a single mat, which is the sleeping-place. The pillows are small stiff bolsters, covered with ornamental matting. If the family be large there are several of these sleeping platforms. A pole runs horizontally at a fitting distance above the outside edge of each, over which mats are thrown to conceal the sleepers from the rest of the room. The inside half of these mats is plain, but the outside, which is seen from the room, has a diamond pattern woven into it in dull reds and browns. The whole floor is covered with a very coarse reed-mat, with interstices half an inch wide.

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