Unbeaten Tracks In Japan By Isabella L. Bird
























































 -   Then there were
hundreds of paper lanterns carried on long poles of various lengths
round a central lantern, 20 feet - Page 134
Unbeaten Tracks In Japan By Isabella L. Bird - Page 134 of 219 - First - Home

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Then There Were Hundreds Of Paper Lanterns Carried On Long Poles Of Various Lengths Round A Central Lantern, 20 Feet

High, itself an oblong 6 feet long, with a front and wings, and all kinds of mythical and mystical creatures

Painted in bright colours upon it - a transparency rather than a lantern, in fact. Surrounding it were hundreds of beautiful lanterns and transparencies of all sorts of fanciful shapes - fans, fishes, birds, kites, drums; the hundreds of people and children who followed all carried circular lanterns, and rows of lanterns with the tomoye on one side and two Chinese characters on the other hung from the eaves all along the line of the procession. I never saw anything more completely like a fairy scene, the undulating waves of lanterns as they swayed along, the soft lights and soft tints moving aloft in the darkness, the lantern-bearers being in deep shadow. This festival is called the tanabata, or seiseki festival, but I am unable to get any information about it. Ito says that he knows what it means, but is unable to explain, and adds the phrase he always uses when in difficulties, "Mr. Satow would be able to tell you all about it." I. L. B.

LETTER XXX

A Lady's Toilet - Hair-dressing - Paint and Cosmetics - Afternoon Visitors - Christian Converts.

KUROISHI, August 5.

This is a pleasant place, and my room has many advantages besides light and cleanliness, as, for instance, that I overlook my neighbours and that I have seen a lady at her toilet preparing for a wedding! A married girl knelt in front of a black lacquer toilet-box with a spray of cherry blossoms in gold sprawling over it, and lacquer uprights at the top, which supported a polished metal mirror. Several drawers in the toilet-box were open, and toilet requisites in small lacquer boxes were lying on the floor. A female barber stood behind the lady, combing, dividing, and tying her hair, which, like that of all Japanese women, was glossy black, but neither fine nor long. The coiffure is an erection, a complete work of art. Two divisions, three inches apart, were made along the top of the head, and the lock of hair between these was combed, stiffened with a bandoline made from the Uvario Japonica, raised two inches from the forehead, turned back, tied, and pinned to the back hair. The rest was combed from each side to the back, and then tied loosely with twine made of paper. Several switches of false hair were then taken out of a long lacquer box, and, with the aid of a quantity of bandoline and a solid pad, the ordinary smooth chignon was produced, to which several loops and bows of hair were added, interwoven with a little dark-blue crepe, spangled with gold. A single, thick, square-sided, tortoiseshell pin was stuck through the whole as an ornament.

The fashions of dressing the hair are fixed. They vary with the ages of female children, and there is a slight difference between the coiffure of the married and unmarried.

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