Unbeaten Tracks In Japan By Isabella L. Bird
























































 -   These peasant proprietors have much to
learn of the art of living.  At Tsuguriko, the next stage, where
the Transport - Page 121
Unbeaten Tracks In Japan By Isabella L. Bird - Page 121 of 219 - First - Home

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These Peasant Proprietors Have Much To Learn Of The Art Of Living.

At Tsuguriko, the next stage, where the Transport Office was so dirty that I was obliged to sit in

The street in the rain, they told us that we could only get on a ri farther, because the bridges were all carried away and the fords were impassable; but I engaged horses, and, by dint of British doggedness and the willingness of the mago, I got the horses singly and without their loads in small punts across the swollen waters of the Hayakuchi, the Yuwase, and the Mochida, and finally forded three branches of my old friend the Yonetsurugawa, with the foam of its hurrying waters whitening the men's shoulders and the horses' packs, and with a hundred Japanese looking on at the "folly" of the foreigner.

I like to tell you of kind people everywhere, and the two mago were specially so, for, when they found that I was pushing on to Yezo for fear of being laid up in the interior wilds, they did all they could to help me; lifted me gently from the horse, made steps of their backs for me to mount, and gathered for me handfuls of red berries, which I ate out of politeness, though they tasted of some nauseous drug. They suggested that I should stay at the picturesquely-situated old village of Kawaguchi, but everything about it was mildewed and green with damp, and the stench from the green and black ditches with which it abounded was so overpowering, even in passing through, that I was obliged to ride on to Odate, a crowded, forlorn, half-tumbling-to-pieces town of 8000 people, with bark roofs held down by stones.

The yadoyas are crowded with storm-staid travellers, and I had a weary tramp from one to another, almost sinking from pain, pressed upon by an immense crowd, and frequently bothered by a policeman, who followed me from one place to the other, making wholly unrighteous demands for my passport at that most inopportune time. After a long search I could get nothing better than this room, with fusuma of tissue paper, in the centre of the din of the house, close to the doma and daidokoro. Fifty travellers, nearly all men, are here, mostly speaking at the top of their voices, and in a provincial jargon which exasperates Ito. Cooking, bathing, eating, and, worst of all, perpetual drawing water from a well with a creaking hoisting apparatus, are going on from 4.30 in the morning till 11.30 at night, and on both evenings noisy mirth, of alcoholic inspiration, and dissonant performances by geishas have added to the dim

In all places lately Hai, "yes," has been pronounced He, Chi, Na, Ne, to Ito's great contempt. It sounds like an expletive or interjection rather than a response, and seems used often as a sign of respect or attention only. Often it is loud and shrill, then guttural, at times little more than a sigh.

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