The Klings Make Splendid Boatmen, They Drive Gharries, Run As Syces, Lend Small Sums Of Money At Usurious Interest, Sell Fruit, Keep Small Shops, Carry "Chit Books," And Make Themselves As Generally Useful As Their Mediocre Abilities Allow.

They are said to be a harmless people so far as deeds go.

They neither fight, organize, nor get into police rows, but they quarrel loudly and vociferously, and their vocabulary of abuse is said to be inexhaustible. The Kling men are very fine-looking, lithe and active, and, as they clothe but little, their forms are seen to great advantage. The women are, I think, beautiful - not so much in face as in form and carriage. I am never weary of watching and admiring their inimitable grace of movement. Their faces are oval, their foreheads low, their eyes dark and liquid, their noses shapely, but disfigured by the universal adoption of jewelled nose-rings; their lips full, but not thick or coarse; their heads small, and exquisitely set on long, slender throats; their ears small, but much dragged out of shape by the wearing of two or three hoop-earrings in each; and their glossy, wavy, black hair, which grows classically low on the forehead, is gathered into a Grecian knot at the back. Their clothing, or rather drapery, is a mystery, for it covers and drapes perfectly, yet has no _make_, far less fit, and leaves every graceful movement unimpeded. It seems to consist of ten wide yards of soft white muslin or soft red material, so ingeniously disposed as to drape the bust and lower limbs, and form a girdle at the same time. One shoulder and arm are usually left bare. The part which may be called a petticoat - though the word is a slur upon the graceful drapery - is short, and shows the finely turned ankles, high insteps, and small feet. These women are tall, and straight as arrows; their limbs are long and rounded; their appearance is timid, one might almost say modest, and their walk is the poetry of movement. A tall, graceful Kling woman, draped as I have described, gliding along the pavement, her statuesque figure the perfection of graceful ease, a dark pitcher on her head, just touched by the beautiful hand, showing the finely moulded arm, is a beautiful object, classical in form, exquisite in movement, and artistic in coloring, a creation of the tropic sun. What thinks she, I wonder, if she thinks at all, of the pale European, paler for want of exercise and engrossing occupation, who steps out of her carriage in front of her, an ungraceful heap of poufs and frills, tottering painfully on high heels, in tight boots, her figure distorted into the shape of a Japanese sake bottle, every movement a struggle or a jerk, the clothing utterly unsuited to this or any climate, impeding motion, and affecting health, comfort, and beauty alike?

It is all fascinating. Here is none of the indolence and apathy which one associates with Oriental life, and which I have seen in Polynesia. These yellow, brown, tawny, swarthy, olive-tinted men are all intent on gain; busy, industrious, frugal, striving, and, no matter what their creed is, all paying homage to Daikoku.

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