The Golden Chersonese And The Way Thither By Isabella L. Bird

























 -  One of these, for a kum-sha of
course, took us, not through the closed and curtained doors, but along - Page 45
The Golden Chersonese And The Way Thither By Isabella L. Bird - Page 45 of 229 - First - Home

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One Of These, For A Kum-Sha Of Course, Took Us, Not Through The Closed And Curtained Doors, But Along

Some passages, from which we passed through a circular brickwork tunnel to the front of the judgment seat at which

All the inmates of the Naam-Hoi prison may expect sooner or later to be tried. My nerves were rather shaken with what I had seen, and I trembled as a criminal might on entering this chamber of horror.

In brief, the judgment-seat is a square hall, open at one end, with a roof supported on three columns. In the plan which I send, No. 1 is the three pillars; No. 2, the instruments of torture ranged against the wall; No. 3, four accused men wearing heavy chains, and kneeling with their foreheads one inch from the ground, but not allowed to touch it. These men are undergoing the mildest form of torture - protracted kneeling without support in one position, with coarse sand under the bare knees. No. 4 is a very old and feeble man, also kneeling, a claimant in an ancient civil suit. No. 6 indicates a motley group of notaries, servants, attendants, lictors, alas! The table (No. 5) is of dark wood, covered with a shabby red cloth. On it are keys, petitions, note-books, pens and ink, an official seal, and some small cups containing tallies, which are thrown down to indicate the number of blows which a culprit is to receive. This was all.

In a high-backed ebony arm-chair, such as might be seen in any English hall, sat the man who has the awful power of life and death in his hands. It is almost needless to say that the judge, who was on the left of the table, and who never once turned to the accused, or indeed to anyone, was the only seated person. He was a young man, with fine features, a good complexion, and a high intellectual brow, and had I seen him under other circumstances, I should have thought him decidedly prepossessing looking. He wore a black satin hat, a rich, blue brocade robe, almost concealing his blue brocade trousers, and over this a sleeved cloak of dark blue satin, lined with ermine fur. A look of singular coldness and hauteur sat permanently on his face, over which a flush of indescribable impatience sometimes passed. He is not of the people, this lordly magistrate. He is one of the privileged literati. His literary degrees are high and numerous. He has both place and power. Little risk does he run of a review of his decisions or of an appeal to the Emperor at Pekin. He spoke loud and with much rapidity and emphasis, and often beat impatiently on the floor with his foot. He used the mandarin tongue, and whether cognizant of the dialect of the prisoners or not, he put all his questions through an interpreter, who stood at his left, a handsomely dressed old man, who wore a gold chain with a dependent ivory comb, with which while he spoke he frequently combed a small and scanty gray mustache.

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