They Have A Good Deal Of Poetry, Principally Of An Amorous Kind, Characterized, It Is Said, By Great Simplicity, Natural And Pleasing Metaphor, And Extremely Soft And Melodious Rhyme.

They sing their poems to certain popular airs, which are committed to memory.

Malay music, though plaintive and less excruciating than Chinese and Japanese, is very monotonous and dirge-like, and not pleasing to a European ear. The pentatonic scale is employed. The violin stands first among musical instruments in their estimation. They have also the guitar, the flageolet, the aeolian flute, a bamboo in which holes are cut, which produce musical sounds when acted upon by the wind, and both metallic and wooden gongs.

They have no written system of common arithmetic, and are totally unacquainted with its higher branches. Their numerals above one thousand are borrowed from the Hindus, and their manner of counting is the same as that of the Ainos of Yezo.

Their theory of medicine is derived from Arabia, and abounds in mystery and superstition. They regard man as composed of four elements and four essences, and assimilate his constitution and passions to the twelve signs of the zodiac, the seven planets, etc., exaggerating the mysterious sympathy between man and external nature. The successful practice of the hakim or doctor must be based on the principle of "preserving the balance of power" among the four elements, which is chiefly effected by moderation in eating.

They know nothing of astronomy, except of some meagre ideas derived through the Arabs from the Ptolemaic system, and Mr. Newbold, after most painstaking research, failed to discover any regular treatise on astronomy, though Arabic and Hindu tracts on interpretations of dreams, horoscopes, spells, propitious and unpropitious moments, auguries, talismans, love philters, medicinal magic and recipes for the destruction of people at a distance, are numerous.

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