Among The Tibetans By Isabella L. Bird























































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The first view, and indeed the whole view of this temple of Wrath or
Justice, was suggestive of a frightful - Page 15
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The First View, And Indeed The Whole View Of This Temple Of Wrath Or Justice, Was Suggestive Of A Frightful Inferno, With Its Rows Of Demon Gods, Hideous Beyond Western Conception, Engaged In Torturing Writhing And Bleeding Specimens Of Humanity.

Demon masks of ancient lacquer hung from the pillars, naked swords gleamed in motionless hands, and in a deep

Recess whose 'darkness' was rendered 'visible' by one lamp, was that indescribable horror the executioner of the Lord of Hell, his many brandished arms holding instruments of torture, and before him the bell, the thunderbolt and sceptre, the holy water, and the baptismal flagon. Our joss-sticks fumed on the still air, monks waved censers, and blasts of dissonant music woke the semi-subterranean echoes. In this temple of Justice the younger lamas spend some hours daily in the supposed contemplation of the torments reserved for the unholy. In the highest temple, that of Peace, the summer sunshine fell on Shakya Thubba and the Buddhist triad seated in endless serenity. The walls were covered with frescoes of great lamas, and a series of alcoves, each with an image representing an incarnation of Buddha, ran round the temple. In a chapel full of monstrous images and piles of medallions made of the ashes of 'holy' men, the sub-abbot was discoursing to the acolytes on the religious classics. In the chapel of meditations, among lighted incense sticks, monks seated before images were telling their beads with the object of working themselves into a state of ecstatic contemplation (somewhat resembling a certain hypnotic trance), for there are undoubtedly devout lamas, though the majority are idle and unholy. It must be understood that all Tibetan literature is 'sacred,' though some of the volumes of exquisite calligraphy on parchment, which for our benefit were divested of their silken and brocaded wrappings, contain nothing better than fairy tales and stories of doubtful morality, which are recited by the lamas to the accompaniment of incessant cups of chang, as a religious duty when they visit their 'flocks' in the winter.

The Deskyid gonpo contains 150 lamas, all of whom have been educated at Lhassa. A younger son in every household becomes a monk, and occasionally enters upon his vocation as an acolyte pupil as soon as weaned. At the age of thirteen these acolytes are sent to study at Lhassa for five or seven years, their departure being made the occasion of a great village feast, with several days of religious observances. The close connection with Lhassa, especially in the case of the yellow lamas, gives Nubra Buddhism a singular interest. All the larger gonpos have their prototype in Lhassa, all ceremonial has originated in Lhassa, every instrument of worship has been consecrated in Lhassa, and every lama is educated in the learning only to be obtained at Lhassa. Buddhism is indeed the most salient feature of Nubra. There are gonpos everywhere, the roads are lined by miles of chod-tens, manis, and prayer-mills, and flags inscribed with sacred words in Sanskrit flutter from every roof. There are processions of red and yellow lamas; every act in trade, agriculture, and social life needs the sanction of sacerdotalism; whatever exists of wealth is in the gonpos, which also have a monopoly of learning, and 11,000 monks closely linked with the laity, yet ruling all affairs of life and death and beyond death, are all connected by education, tradition, and authority with Lhassa.

We remained long on the blazing roof of the highest tower of the gonpo, while good Mr. Redslob disputed with the abbot 'concerning the things pertaining to the kingdom of God.' The monks standing round laughed sneeringly. They had shown a little interest, Mr. R. said, on his earlier visits. The abbot accepted a copy of the Gospel of St. John. 'St. Matthew,' he observed, 'is very laughable reading.' Blasts of wild music and the braying of colossal horns honoured our departure, and our difficult descent to the apricot groves of Deskyid. On our return to Hundar the grain was ripe on Gergan's fields. The first ripe ears were cut off, offered to the family divinity, and were then bound to the pillars of the house. In the comparatively fertile Nubra valley the wheat and barley are cut, not rooted up. While they cut the grain the men chant, 'May it increase, We will give to the poor, we will give to the lamas,' with every stroke. They believe that it can be made to multiply both under the sickle and in the threshing, and perform many religious rites for its increase while it is in sheaves. After eight days the corn is trodden out by oxen on a threshing-floor renewed every year. After winnowing with wooden forks, they make the grain into a pyramid, insert a sacred symbol, and pile upon it the threshing instruments and sacks, erecting an axe on the apex with its blade turned to the west, as that is the quarter from which demons are supposed to come. In the afternoon they feast round it, always giving a portion to the axe, saying, 'It is yours, it belongs not to me.' At dusk they pour it into the sacks again, chanting, 'May it increase.' But these are not removed to the granary until late at night, at an hour when the hands of the demons are too much benumbed by the nightly frost to diminish the store. At the beginning of every one of these operations the presence of lamas is essential, to announce the auspicious moment, and conduct religious ceremonies. They receive fees, and are regaled with abundant chang and the fat of the land.

In Hundar, as elsewhere, we were made very welcome in all the houses. I have described the dwelling of Gergan. The poorer peasants occupy similar houses, but roughly built, and only two-storeyed, and the floors are merely clay. In them also the very numerous lower rooms are used for cattle and fodder only, while the upper part consists of an inner or winter room, an outer or supper room, a verandah room, and a family temple.

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