Letters Of Travel (1892-1913) By Rudyard Kipling











































































































 -  But if you begin, as I did, by the convention that men are
angels they will assuredly become bigger beasts - Page 65
Letters Of Travel (1892-1913) By Rudyard Kipling - Page 65 of 71 - First - Home

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But If You Begin, As I Did, By The Convention That Men Are Angels They Will Assuredly Become Bigger Beasts Than Ever.'

'That,' I said firmly, 'is altogether out-of-date.

You should have brought a larger mentality, a more vital uplift, and - er - all that sort of thing, to bear on - all that sort of thing, you know.'

'I did,' said Ahkenaton gloomily. 'It broke me!' And he, too, went dumb among the ruins.

There is a valley of rocks and stones in every shade of red and brown, called the Valley of the Kings, where a little oil-engine coughs behind its hand all day long, grinding electricity to light the faces of dead Pharaohs a hundred feet underground. All down the valley, during the tourist season, stand char-a-bancs and donkeys and sand-carts, with here and there exhausted couples who have dropped out of the processions and glisten and fan themselves in some scrap of shade. Along the sides of the valley are the tombs of the kings neatly numbered, as it might be mining adits with concrete steps leading up to them, and iron grilles that lock of nights, and doorkeepers of the Department of Antiquities demanding the proper tickets. One enters, and from deeps below deeps hears the voices of dragomans booming through the names and titles of the illustrious and thrice-puissant dead. Rock-cut steps go down into hot, still darkness, passages-twist and are led over blind pits which, men say, the wise builders childishly hoped would be taken for the real tombs by thieves to come. Up and down these alley-ways clatter all the races of Europe with a solid backing of the United States. Their footsteps are suddenly blunted on the floor of a hall paved with immemorial dust that will never dance in any wind. They peer up at the blazoned ceilings, stoop down to the minutely decorated walls, crane and follow the sombre splendours of a cornice, draw in their breaths and climb up again to the fierce sunshine to re-dive into the next adit on their programme. What they think proper to say, they say aloud - and some of it is very interesting. What they feel you can guess from a certain haste in their movements - something between the shrinking modesty of a man under fire and the Hadn't-we-better-be-getting-on attitude of visitors to a mine. After all, it is not natural for man to go underground except for business or for the last time. He is conscious of the weight of mother-earth overhead, and when to her expectant bulk is added the whole beaked, horned, winged, and crowned hierarchy of a lost faith flaming at every turn of his eye, he naturally wishes to move away. Even the sight of a very great king indeed, sarcophagused under electric light in a hall full of most fortifying pictures, does not hold him too long.

Some men assert that the crypt of St. Peter's, with only nineteen centuries bearing down on the groining, and the tombs of early popes and kings all about, is more impressive than the Valley of the Kings because it explains how and out of what an existing creed grew. But the Valley of the Kings explains nothing except that most terrible line in Macbeth:

To the last syllable of recorded time.

Earth opens her dry lips and says it.

In one of the tombs there is a little chamber whose ceiling, probably because of a fault in the rock, could not be smoothed off like the others. So the decorator, very cunningly, covered it with a closely designed cloth-pattern - just such a chintz-like piece of stuff as, in real life, one would use to underhang a rough roof with. He did it perfectly, down there in the dark, and went his way. Thousands of years later, there was born a man of my acquaintance who, for good and sufficient reason, had an almost insane horror of anything in the nature of a ceiling-cloth. He used to make excuses for not going into the dry goods shops at Christmas, when hastily enlarged annexes are hidden, roof and sides, with embroideries. Perhaps a snake or a lizard had dropped on his mother from the roof before he was born; perhaps it was the memory of some hideous fever-bout in a tent. At any rate, that man's idea of The Torment was a hot, crowded underground room, underhung with patterned cloths. Once in his life at a city in the far north, where he had to make a speech, he met that perfect combination. They led him up and down narrow, crowded, steam-heated passages, till they planted him at last in a room without visible windows (by which he knew he was, underground), and directly beneath a warm-patterned ceiling-cloth - rather like a tent-lining. And there he had to say his say, while panic terror sat in his throat. The second time was in the Valley of the Kings, where very similar passages, crowded with people, led him into a room cut of rock, fathoms underground, with what looked like a sagging chintz cloth not three feet above his head. The man I'd like to catch,' he said when he came outside again, 'is that decorator-man. D'you suppose he meant to produce that effect?'

Every man has his private terrors, other than those of his own conscience. From what I saw in the Valley of the Kings, the Egyptians seem to have known this some time ago. They certainly have impressed it on most unexpected people. I heard two voices down a passage talking together as follows:

She. I guess we weren't ever meant to see these old tombs from inside, anyway.

He. How so?

She. For one thing, they believe so hard in being dead. Of course, their outlook on spiritual things wasn't as broad as ours.

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