It Is
Always Sunday In These Streets Of A Morning.
The cable-car has taken the
men down town to business, the children are at school, and the big
Dogs,
three and a third to each absent child, lie nosing the winter-killed
grass and wondering when the shoots will make it possible for a
gentleman to take his spring medicine. In the afternoon, the children on
tricycles stagger up and down the asphalt with due proportion of big
dogs at each wheel; the cable-cars coming up hill begin to drop the men
each at his own door - the door of the house that he builded for himself
(though the architect incited him to that vile little attic tower and
useless loggia), and, naturally enough, twilight brings the lovers
walking two by two along the very quiet ways. You can tell from the
houses almost the exact period at which they were built, whether in the
jig-saw days, when if behoved respectability to use unlovely turned
rails and pierced gable-ends, or during the Colonial craze, which means
white paint and fluted pillars, or in the latest domestic era, a most
pleasant mixture, that is, of stained shingles, hooded dormer-windows,
cunning verandas, and recessed doors. Seeing these things, one begins to
understand why the Americans visiting England are impressed with the old
and not with the new. He is not much more than a hundred years ahead of
the English in design, comfort, and economy, and (this is most
important) labour-saving appliances in his house.
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