See America First, By Orville O. Hiestand










































































































 -  The location of this effigy is peculiar.
It is in the midst of a rough, wild region, which was formerly - Page 31
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The Location Of This Effigy Is Peculiar. It Is In The Midst Of A Rough, Wild Region, Which Was Formerly Very Difficult To Approach, And According To All Accounts Was Noted For Its Inaccessibility.

"The shape of the cliff would easily suggest the idea of a massive serpent, and with this inaccessibility to the spot would produce a peculiar feeling of awe, as if it were a great Manitou which resided there, and so a sentiment of wonder and worship would gather around the locality.

This would naturally give rise to a tradition or would lead the people to revive some familiar tradition and localize it. This having been done, the next step would be to erect an effigy on the summit which would both satisfy the superstition and represent the tradition. It would then become a place where the form of the serpent divinity was plainly seen, and where the worship of the serpent, if it could be called worship, would be practiced. Along with this serpent worship, however, there was probably the formality instituted here, and the spot made sacred to them. It was generally 'sacrificing in a high place,' the fires which were lighted would be seen for a great distance down the valley and would cast a glare over the whole region, producing a feeling of awe in the people who dwelt in the vicinity. The shadows of the cliff would be thrown over the valley, but the massive form of the serpent would be brought out in bold relief; the tradition would be remembered and superstition would be aroused, and the whole scene would be full of strange and awful associations."

The various authors who have treated of this serpent mound have maintained that the tradition which found its embodiment here was the old Brahmanic tradition of the serpent and the egg. Even the Indians had their traditions in regard to the meaning of various symbols.

In Longfellow's Song of Hiawatha we have this legend from the Indians:

Thus said Hiawatha, walking In the solitary forest, Pondering, musing in the forest, On the welfare of his people. From his pouch he took his colors, Took his paints of different colors. On the smooth bark of a birch tree Painted many shapes and figures, Wonderful and mystic figures, And each figure had a meaning, Each some word or thought suggested.

Gitche Manito, the Mighty, He, the Master of Life, was painted As an egg, with points projecting To the four winds of the heavens. Everywhere is the Great Spirit, Was the meaning of the symbol.

Mitche Manito, the Mighty, He the dreaded Spirit of Evil, As a serpent was depicted, As Kenabeek the great serpent. Very crafty, very cunning, Is the creeping Spirit of Evil, Was the meaning of this symbol.

(footnote From "The Egg and Serpent.")

Here while gazing in wonder at this ancient shrine we recalled how in the stillness and fading light of evening we visited the famous cathedral of Antwerp. The last rays of the descending sun fell through the stained glass and darkened the vast aisles.

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