This Does Not
Vary Greatly From The Tariff Of To-Day, (1900) As, Reduced To United
States Currency, It Would Be About $18; And Allowing The Value Of
Sterling To Be About Four Times This, In Purchase Ratio, It Would Mean
About $73.
The expenses of the thirty-five of the Leyden congregation
who came over in the MAY-FLOWER in 1620,
And of the others brought in the
LION in 1630, were slightly higher than these figures, but the cost of
the trip from Leyden to England was included, with that of some clothing.
In 1650, Judge Sewall, who as a wealthy man would be likely to indulge in
some luxury, gives his outlay one way, as, "Fare, L2 3 0; cabin expenses,
L4 11 4; total, L6 14 4."
CHAPTER IV
THE MAY-FLOWER - THE SHIP HERSELF
Unhappily the early chroniclers familiar with the MAY-FLOWER have left us
neither representation nor general description of her, and but few data
from which we may reconstruct her outlines and details for ourselves.
Tradition chiefly determines her place in one of the few classes into
which the merchant craft of her day were divided, her tonnage and service
being almost the only other authentic indices to this class.
Bradford helps us to little more than the statement, that a vessel, which
could have been no other, "was hired at London, being of burden about 9
score" [tons], while the same extraordinary silence, which we have
noticed as to her name, exists as to her description, with Smith,
Bradford, Winslow, Morton, and the other contemporaneous or early writers
of Pilgrim history. Her hundred and eighty tons register indicates in
general her size, and to some extent her probable model and rig.
Long search for a reliable, coetaneous picture of one of the larger ships
of the merchant service of England, in the Pilgrim period, has been
rewarded by the discovery of the excel lent "cut" of such a craft, taken
from M. Blundeville's "New and Necessarie Treatise of Navigation,"
published early in the seventeenth century. Appearing in a work of so
high character, published by so competent a navigator and critic, and
(approximately) in the very time of the Pilgrim "exodus," there can be no
doubt that it quite correctly, if roughly and insufficiently, depicts the
outlines, rig, and general cast of a vessel of the MAY-FLOWER type and
time, as she appeared to those of that day, familiar therewith.
It gives us a ship corresponding, in the chief essentials, to that which
careful study of the detail and minutiae of the meagre MAY-FLOWER history
and its collaterals had already permitted the author and others to
construct mentally, and one which confirms in general the conceptions
wrought out by the best artists and students who have attempted to
portray the historic ship herself.
Captain J. W. Collins, whose experience and labors in this relation are
further alluded to, and whose opinion is entitled to respect, writes the
author in this connection, as follows "The cut from Blundeville's
treatise, which was published more or less contemporaneously with the
MAYFLOWER, is, in my judgment, misleading, since it doubtless represents
a ship of an earlier date, and is evidently [sic] reproduced from a
representation on tapestry, of which examples are still to be seen (with
similar ships) in England.
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