I Have Seen The Goats On Mount Pentelicus Scatter At The Approach Of A Stranger, Climb To The Sharp Points Of Projecting Rocks, And Attitudinize In The Most Self-Conscious Manner, Striking At Once Those Picturesque Postures Against The Sky With Which Oriental Pictures Have Made Us And Them Familiar.

But the whole proceeding was theatrical.

Greece is the home of art, and it is rare to find anything there natural and unstudied. I presume that these goats have no nonsense about them when they are alone with the goatherds, any more than the goatherds have, except when they come to pose in the studio; but the long ages of culture, the presence always to the eye of the best models and the forms of immortal beauty, the heroic friezes of the Temple of Theseus, the marble processions of sacrificial animals, have had a steady molding, educating influence equal to a society of decorative art upon the people and the animals who have dwelt in this artistic atmosphere. The Attic goat has become an artificially artistic being; though of course he is not now what he was, as a poser, in the days of Polycletus. There is opportunity for a very instructive essay by Mr. E. A. Freeman on the decadence of the Attic goat under the influence of the Ottoman Turk.

The American deer, in the free atmosphere of our country, and as yet untouched by our decorative art, is without self-consciousness, and all his attitudes are free and unstudied.

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