It is not a fire, but a conflagration - a vast heap of green
logs set on fire - of pitch, and split dead-wood, and crackling
balsams, raging and roaring.
By the time, twilight falls, the cook
has prepared supper. Everything has been cooked in a tin pail and a
skillet, - potatoes, tea, pork, mutton, slapjacks. You wonder how
everything could have been prepared in so few utensils. When you
eat, the wonder ceases: everything might have been cooked in one
pail. It is a noble meal; and nobly is it disposed of by these
amateur savages, sitting about upon logs and roots of trees. Never
were there such potatoes, never beans that seemed to have more of the
bean in them, never such curly pork, never trout with more
Indian-meal on them, never mutton more distinctly sheepy; and the tea,
drunk out of a tin cup, with a lump of maple-sugar dissolved in it,
- it is the sort of tea that takes hold, lifts the hair, and disposes
the drinker to anecdote and hilariousness. There is no deception
about it: it tastes of tannin and spruce and creosote. Everything, in
short, has the flavor of the wilderness and a free life. It is
idyllic. And yet, with all our sentimentality, there is nothing
feeble about the cooking. The slapjacks are a solid job of work, made
to last, and not go to pieces in a person's stomach like a trivial
bun: we might record on them, in cuneiform characters, our incipient
civilization; and future generations would doubtless turn them up as
Acadian bricks. Good, robust victuals are what the primitive man
wants.
Darkness falls suddenly. Outside the ring of light from our
conflagration the woods are black. There is a tremendous impression
of isolation and lonesomeness in our situation. We are the prisoners
of the night. The woods never seemed so vast and mysterious. The
trees are gigantic. There are noises that we do not understand,
- mysterious winds passing overhead, and rambling in the great
galleries, tree-trunks grinding against each other, undefinable stirs
and uneasinesses. The shapes of those who pass into the dimness are
outlined in monstrous proportions. The spectres, seated about in the
glare of the fire, talk about appearances and presentiments and
religion. The guides cheer the night with bear-fights, and catamount
encounters, and frozen-to-death experiences, and simple tales of
great prolixity and no point, and jokes of primitive lucidity. We
hear catamounts, and the stealthy tread of things in the leaves, and
the hooting of owls, and, when the moon rises, the laughter of the
loon. Everything is strange, spectral, fascinating.
By and by we get our positions in the shanty for the night, and
arrange the row of sleepers. The shanty has become a smoke-house by
this time: waves of smoke roll into it from the fire. It is only by
lying down, and getting the head well under the eaves, that one can
breathe. No one can find her "things"; nobody has a pillow. At
length the row is laid out, with the solemn protestation of intention
to sleep. The wind, shifting, drives away the smoke.
Good-night is said a hundred times; positions are readjusted, more
last words, new shifting about, final remarks; it is all so
comfortable and romantic; and then silence. Silence continues for a
minute. The fire flashes up; all the row of heads is lifted up
simultaneously to watch it; showers of sparks sail aloft into the
blue night; the vast vault of greenery is a fairy spectacle. How the
sparks mount and twinkle and disappear like tropical fireflies, and
all the leaves murmur, and clap their hands! Some of the sparks do
not go out: we see them flaming in the sky when the flame of the fire
has died down. Well, good-night, goodnight. More folding of the
arms to sleep; more grumbling about the hardness of a hand-bag,
or the insufficiency of a pocket-handkerchief, for a pillow.
Good-night. Was that a remark? - something about a root, a stub in
the ground sticking into the back. "You couldn't lie along a hair?"
- -"Well, no: here's another stub. It needs but a moment for the
conversation to become general, - about roots under the shoulder,
stubs in the back, a ridge on which it is impossible for the sleeper
to balance, the non-elasticity of boughs, the hardness of the ground,
the heat, the smoke, the chilly air. Subjects of remarks multiply.
The whole camp is awake, and chattering like an aviary. The owl is
also awake; but the guides who are asleep outside make more noise
than the owls. Water is wanted, and is handed about in a dipper.
Everybody is yawning; everybody is now determined to go to sleep in
good earnest. A last good-night. There is an appalling silence. It
is interrupted in the most natural way in the world. Somebody has
got the start, and gone to sleep. He proclaims the fact. He seems
to have been brought up on the seashore, and to know how to make all
the deep-toned noises of the restless ocean. He is also like a
war-horse; or, it is suggested, like a saw-horse. How malignantly he
snorts, and breaks off short, and at once begins again in another
key! One head is raised after another.
"Who is that?"
"Somebody punch him."
"Turn him over."
"Reason with him."
The sleeper is turned over. The turn was a mistake. He was before,
it appears, on his most agreeable side. The camp rises in
indignation. The sleeper sits up in bewilderment. Before he can go
off again, two or three others have preceded him. They are all
alike. You never can judge what a person is when he is awake. There
are here half a dozen disturbers of the peace who should be put in
solitary confinement. At midnight, when a philosopher crawls out to
sit on a log by the fire, and smoke a pipe, a duet in tenor and
mezzo-soprano is going on in the shanty, with a chorus always coming
in at the wrong time.
Enter page number
PreviousNext
Page 25 of 36
Words from 24502 to 25537
of 35746
