So We - For The Intelligent Reader Has Already Identified Us
With The Two Travelers Resolved To Spend The Last Night, Before
Beginning Our Journey, In The Quiet Of A Boston Hotel.
Some people
go into the country for quiet:
We knew better. The country is no
place for sleep. The general absence of sound which prevails at
night is only a sort of background which brings out more vividly the
special and unexpected disturbances which are suddenly sprung upon
the restless listener. There are a thousand pokerish noises that no
one can account for, which excite the nerves to acute watchfulness.
It is still early, and one is beginning to be lulled by the frogs and
the crickets, when the faint rattle of a drum is heard, - just a few
preliminary taps. But the soul takes alarm, and well it may, for a
roll follows, and then a rub-a-dub-dub, and the farmer's boy who is
handling the sticks and pounding the distended skin in a neighboring
horse-shed begins to pour out his patriotism in that unending
repetition of rub-a-dub-dub which is supposed to represent love of
country in the young. When the boy is tired out and quits the field,
the faithful watch-dog opens out upon the stilly night. He is the
guardian of his master's slumbers. The howls of the faithful
creature are answered by barks and yelps from all the farmhouses for
a mile around, and exceedingly poor barking it usually is, until all
the serenity of the night is torn to shreds. This is, however, only
the opening of the orchestra. The cocks wake up if there is the
faintest moonshine and begin an antiphonal service between responsive
barn-yards. It is not the clear clarion of chanticleer that is heard
in the morn of English poetry, but a harsh chorus of cracked voices,
hoarse and abortive attempts, squawks of young experimenters, and
some indescribable thing besides, for I believe even the hens crow in
these days. Distracting as all this is, however, happy is the man
who does not hear a goat lamenting in the night. The goat is the
most exasperating of the animal creation. He cries like a deserted
baby, but he does it without any regularity. One can accustom
himself to any expression of suffering that is regular. The
annoyance of the goat is in the dreadful waiting for the uncertain
sound of the next wavering bleat. It is the fearful expectation of
that, mingled with the faint hope that the last was the last, that
aggravates the tossing listener until he has murder in his heart.
He longs for daylight, hoping that the voices of the night will then
cease, and that sleep will come with the blessed morning. But he has
forgotten the birds, who at the first streak of gray in the east have
assembled in the trees near his chamber-window, and keep up for an
hour the most rasping dissonance, - an orchestra in which each artist
is tuning his instrument, setting it in a different key and to play a
different tune: each bird recalls a different tune, and none sings
"Annie Laurie," - to pervert Bayard Taylor's song.
Give us the quiet of a city on the night before a journey. As we
mounted skyward in our hotel, and went to bed in a serene altitude,
we congratulated ourselves upon a reposeful night. It began well.
But as we sank into the first doze, we were startled by a sudden
crash. Was it an earthquake, or another fire? Were the neighboring
buildings all tumbling in upon us, or had a bomb fallen into the
neighboring crockery-store? It was the suddenness of the onset that
startled us, for we soon perceived that it began with the clash of
cymbals, the pounding of drums, and the blaring of dreadful brass.
It was somebody's idea of music. It opened without warning. The men
composing the band of brass must have stolen silently into the alley
about the sleeping hotel, and burst into the clamor of a rattling
quickstep, on purpose. The horrible sound thus suddenly let loose
had no chance of escape; it bounded back from wall to wall, like the
clapping of boards in a tunnel, rattling windows and stunning all
cars, in a vain attempt to get out over the roofs. But such music
does not go up. What could have been the intention of this assault
we could not conjecture. It was a time of profound peace through the
country; we had ordered no spontaneous serenade, if it was a
serenade. Perhaps the Boston bands have that habit of going into an
alley and disciplining their nerves by letting out a tune too big for
the alley, and taking the shock of its reverberation. It may be well
enough for the band, but many a poor sinner in the hotel that night
must have thought the judgment day had sprung upon him. Perhaps the
band had some remorse, for by and by it leaked out of the alley, in
humble, apologetic retreat, as if somebody had thrown something at it
from the sixth-story window, softly breathing as it retired the notes
of "Fair Harvard."
The band had scarcely departed for some other haunt of slumber and
weariness, when the notes of singing floated up that prolific alley,
like the sweet tenor voice of one bewailing the prohibitory movement;
and for an hour or more a succession of young bacchanals, who were
evidently wandering about in search of the Maine Law, lifted up their
voices in song. Boston seems to be full of good singers; but they
will ruin their voices by this night exercise, and so the city will
cease to be attractive to travelers who would like to sleep there.
But this entertainment did not last the night out.
It stopped just before the hotel porter began to come around to rouse
the travelers who had said the night before that they wanted to be
awakened.
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