If One Take Up A Northern Or
Southern Literary Periodical Of Forty Or Fifty Years Ago, He Will Find
It Filled With Wordy, Windy, Flowery 'eloquence,' Romanticism,
Sentimentality - All Imitated From Sir Walter, And Sufficiently Badly
Done, Too - Innocent Travesties Of His Style And Methods, In Fact.
This
sort of literature being the fashion in both sections of the country,
there was opportunity for the fairest competition; and as a consequence,
the South was able to show as many well-known literary names,
proportioned to population, as the North could.
But a change has come, and there is no opportunity now for a fair
competition between North and South. For the North has thrown out that
old inflated style, whereas the Southern writer still clings to it -
clings to it and has a restricted market for his wares, as a
consequence. There is as much literary talent in the South, now, as ever
there was, of course; but its work can gain but slight currency under
present conditions; the authors write for the past, not the present;
they use obsolete forms, and a dead language. But when a Southerner of
genius writes modern English, his book goes upon crutches no longer, but
upon wings; and they carry it swiftly all about America and England, and
through the great English reprint publishing houses of Germany - as
witness the experience of Mr. Cable and Uncle Remus, two of the very few
Southern authors who do not write in the Southern style.
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