It gives the inexperienced
stranger a better idea of what a vast and comprehensive calamity
invasion is than he can ever get by reading books at the fireside.
At a club one evening, a gentleman turned to me and said, in an aside -
'You notice, of course, that we are nearly always talking about the war.
It isn't because we haven't anything else to talk about, but because
nothing else has so strong an interest for us. And there is another
reason: In the war, each of us, in his own person, seems to have sampled
all the different varieties of human experience; as a consequence, you
can't mention an outside matter of any sort but it will certainly remind
some listener of something that happened during the war - and out he
comes with it. Of course that brings the talk back to the war. You may
try all you want to, to keep other subjects before the house, and we may
all join in and help, but there can be but one result: the most random
topic would load every man up with war reminiscences, and shut him up,
too; and talk would be likely to stop presently, because you can't talk
pale inconsequentialities when you've got a crimson fact or fancy in
your head that you are burning to fetch out.'
The poet was sitting some little distance away; and presently he began
to speak - about the moon.
The gentleman who had been talking to me remarked in an 'aside:' 'There,
the moon is far enough from the seat of war, but you will see that it
will suggest something to somebody about the war; in ten minutes from
now the moon, as a topic, will be shelved.'
The poet was saying he had noticed something which was a surprise to
him; had had the impression that down here, toward the equator, the
moonlight was much stronger and brighter than up North; had had the
impression that when he visited New Orleans, many years ago, the moon -
Interruption from the other end of the room -
'Let me explain that. Reminds me of an anecdote. Everything is changed
since the war, for better or for worse; but you'll find people down here
born grumblers, who see no change except the change for the worse.
There was an old negro woman of this sort. A young New-Yorker said in
her presence, "What a wonderful moon you have down here!" She sighed
and said, "Ah, bless yo' heart, honey, you ought to seen dat moon befo'
de waw!"'
The new topic was dead already. But the poet resurrected it, and gave
it a new start.
