Chapter 44 City Sights
THE old French part of New Orleans - anciently the Spanish part - bears no
resemblance to the American end of the city: the American end which lies
beyond the intervening brick business-center. The houses are massed in
blocks; are austerely plain and dignified; uniform of pattern, with here
and there a departure from it with pleasant effect; all are plastered on
the outside, and nearly all have long, iron-railed verandas running
along the several stories. Their chief beauty is the deep, warm,
varicolored stain with which time and the weather have enriched the
plaster. It harmonizes with all the surroundings, and has as natural a
look of belonging there as has the flush upon sunset clouds. This
charming decoration cannot be successfully imitated; neither is it to be
found elsewhere in America.
The iron railings are a specialty, also. The pattern is often
exceedingly light and dainty, and airy and graceful - with a large cipher
or monogram in the center, a delicate cobweb of baffling, intricate
forms, wrought in steel. The ancient railings are hand-made, and are
now comparatively rare and proportionately valuable. They are become
BRIC-A-BRAC.
The party had the privilege of idling through this ancient quarter of
New Orleans with the South's finest literary genius, the author of 'the
Grandissimes.' In him the South has found a masterly delineator of its
interior life and its history. In truth, I find by experience, that the
untrained eye and vacant mind can inspect it, and learn of it, and judge
of it, more clearly and profitably in his books than by personal contact
with it.
With Mr. Cable along to see for you, and describe and explain and
illuminate, a jog through that old quarter is a vivid pleasure. And you
have a vivid sense as of unseen or dimly seen things - vivid, and yet
fitful and darkling; you glimpse salient features, but lose the fine
shades or catch them imperfectly through the vision of the imagination:
a case, as it were, of ignorant near-sighted stranger traversing the rim
of wide vague horizons of Alps with an inspired and enlightened long-
sighted native.
We visited the old St. Louis Hotel, now occupied by municipal offices.
There is nothing strikingly remarkable about it; but one can say of it
as of the Academy of Music in New York, that if a broom or a shovel has
ever been used in it there is no circumstantial evidence to back up the
fact. It is curious that cabbages and hay and things do not grow in the
Academy of Music; but no doubt it is on account of the interruption of
the light by the benches, and the impossibility of hoeing the crop
except in the aisles.
