He was said to be very shy. He
is a shy man. Of this there is no doubt. It may not show on the
surface, but the shyness is there. After days of intimacy one wonders
to see that it is still in about as strong force as ever. There is a
fine and beautiful nature hidden behind it, as all know who have read
the Uncle Remus book; and a fine genius, too, as all know by the same
sign. I seem to be talking quite freely about this neighbor; but in
talking to the public I am but talking to his personal friends, and
these things are permissible among friends.
He deeply disappointed a number of children who had flocked eagerly to
Mr. Cable's house to get a glimpse of the illustrious sage and oracle of
the nation's nurseries. They said -
'Why, he 's white!'
They were grieved about it. So, to console them, the book was brought,
that they might hear Uncle Remus's Tar-Baby story from the lips of Uncle
Remus himself - or what, in their outraged eyes, was left of him. But it
turned out that he had never read aloud to people, and was too shy to
venture the attempt now. Mr. Cable and I read from books of ours, to
show him what an easy trick it was; but his immortal shyness was proof
against even this sagacious strategy, so we had to read about Brer
Rabbit ourselves.
Mr. Harris ought to be able to read the negro dialect better than
anybody else, for in the matter of writing it he is the only master the
country has produced. Mr. Cable is the only master in the writing of
French dialects that the country has produced; and he reads them in
perfection. It was a great treat to hear him read about Jean-ah
Poquelin, and about Innerarity and his famous 'pigshoo' representing
'Louisihanna RIF-fusing to Hanter the Union,' along with passages of
nicely-shaded German dialect from a novel which was still in manuscript.
It came out in conversation, that in two different instances Mr. Cable
got into grotesque trouble by using, in his books, next-to-impossible
French names which nevertheless happened to be borne by living and
sensitive citizens of New Orleans. His names were either inventions or
were borrowed from the ancient and obsolete past, I do not now remember
which; but at any rate living bearers of them turned up, and were a good
deal hurt at having attention directed to themselves and their affairs
in so excessively public a manner.
Mr. Warner and I had an experience of the same sort when we wrote the
book called 'The Gilded Age.' There is a character in it called
'Sellers.' I do not remember what his first name was, in the beginning;
but anyway, Mr. Warner did not like it, and wanted it improved. He asked
me if I was able to imagine a person named 'Eschol Sellers.' Of course I
said I could not, without stimulants. He said that away out West, once,
he had met, and contemplated, and actually shaken hands with a man
bearing that impossible name - 'Eschol Sellers.' He added -
'It was twenty years ago; his name has probably carried him off before
this; and if it hasn't, he will never see the book anyhow. We will
confiscate his name. The name you are using is common, and therefore
dangerous; there are probably a thousand Sellerses bearing it, and the
whole horde will come after us; but Eschol Sellers is a safe name - it is
a rock.'
So we borrowed that name; and when the book had been out about a week,
one of the stateliest and handsomest and most aristocratic looking white
men that ever lived, called around, with the most formidable libel suit
in his pocket that ever - well, in brief, we got his permission to
suppress an edition of ten million {footnote [Figures taken from memory,
and probably incorrect. Think it was more.]} copies of the book and
change that name to 'Mulberry Sellers' in future editions.
Chapter 48 Sugar and Postage
ONE day, on the street, I encountered the man whom, of all men, I most
wished to see - Horace Bixby; formerly pilot under me - or rather, over
me - now captain of the great steamer 'City of Baton Rouge,' the latest
and swiftest addition to the Anchor Line. The same slender figure, the
same tight curls, the same springy step, the same alertness, the same
decision of eye and answering decision of hand, the same erect military
bearing; not an inch gained or lost in girth, not an ounce gained or
lost in weight, not a hair turned. It is a curious thing, to leave a man
thirty-five years old, and come back at the end of twenty-one years and
find him still only thirty-five. I have not had an experience of this
kind before, I believe. There were some crow's-feet, but they counted
for next to nothing, since they were inconspicuous.
His boat was just in. I had been waiting several days for her,
purposing to return to St. Louis in her. The captain and I joined a
party of ladies and gentlemen, guests of Major Wood, and went down the
river fifty-four miles, in a swift tug, to ex-Governor Warmouth's sugar
plantation. Strung along below the city, were a number of decayed, ram-
shackly, superannuated old steamboats, not one of which had I ever seen
before. They had all been built, and worn out, and thrown aside, since I
was here last. This gives one a realizing sense of the frailness of a
Mississippi boat and the briefness of its life.
Six miles below town a fat and battered brick chimney, sticking above
the magnolias and live-oaks, was pointed out as the monument erected by
an appreciative nation to celebrate the battle of New Orleans - Jackson's
victory over the British, January 8, 1815.
