It Must Be Admitted That There Is No Jealousy In The States Against English Authors.

I think that there is a feeling in their favor, but no one can at any rate allege that there is a feeling against them:

I think I may also assert on the part of my own country that there is no jealousy here against American authors. As regards the tastes of the people, the works of each country flow freely through the other. That is as it should be. But when we come to the mode of supply, things are not exactly as they should be; and I do not believe that any one will contradict me when I say that the fault is with the Americans.

I presume that all my readers know the meaning of the word copyright. A man's copyright is right in his copy; is that amount of legal possession in the production of his brains which has been secured to him by the law of his own country and of others. Unless an author were secured by such law, his writings would be of but little pecuniary value to him, as the right of printing and selling them would be open to all the world. In England and in America, and as I conceive in all countries possessing a literature, there is such a law, securing to authors and to their heirs, for a term of years, the exclusive right over their own productions. That this should be so in England, as regards English authors, appears to be so much a matter of course that the copyright of an author seems to be as naturally his own as a gentleman's deposit at his bank, or his little investment in the three per cents. The right of an author to the value of his own productions in other countries than his own is not so much a matter of course; but nevertheless, if such productions have any value in other countries, that value should belong to him. This has been felt to be the case between England and France, and an international copyright now exists. The fact that the languages of England and France are different, makes the matter one of comparatively small moment. But it has been found to be for the honor and profit of the two countries that there should be such a law, and an international copyright does exist. But if such an arrangement be needed between two such countries as France and England - between two countries which do not speak the same language, or share the same literature - how much more necessary must it be between England and the United States! The literature of the one country is the literature of the other. The poem that is popular in London will certainly be popular in New York. The novel that is effective among American ladies will be equally so with those of England. There can be no doubt as to the importance of having or of not having a law of copyright between the two countries.

Enter page number Go  Previous Next
Page 246 of 275
Words from 126960 to 127470 of 142339